The Lord of the Rings

One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them. “A unique, wholly realized other world, evoked from deep in the well of Time, massively detailed, absorbingly entertaining, profound in meaning.”—The New York Times In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell into the hands of Bilbo Baggins, as told in The Hobbit. In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.

The Lord of the Rings, J.R.R. Tolkien's three-volume epic, is set in the imaginary world of Middle-earth -- home to many strange beings, and most notably hobbits, a peace-loving "little people," cheerful and shy. Since its original British publication in 1954-55, the saga has entranced readers of all ages. It is at once a classic myth and a modern fairy tale. Critic Michael Straight has hailed it as one of the "very few works of genius in recent literature." Middle-earth is a world receptive to poets, scholars, children, and all other people of good will. Donald Barr has described it as "a scrubbed morning world, and a ringing nightmare world...especially sunlit, and shadowed by perils very fundamental, of a peculiarly uncompounded darkness." The story of this world is one of high and heroic adventure. Barr compared it to Beowulf, C.S. Lewis to Orlando Furioso, W.H. Auden to The Thirty-nine Steps. In fact the saga is sui generis -- a triumph of imagination which springs to life within its own framework and on its own terms. - Jacket flap. Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in the battle with an evil spirit in the Mines of Moria; and at the Falls of Rauros, Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape the rest of the company were attacked by Orcs. Now they continue their journey alone down the great River Anduin – alone, that is, save for the mysterious creeping figure that follows wherever they go. J.R.R. Tolkien’s great work of imaginative fiction has been labelled both a heroic romance and a classic fantasy fiction. By turns comic and homely, epic and diabolic, the narrative moves through countless changes of scene and character in an imaginary world which is totally convincing in its detail.

THE RETURN OF THE KING, which brings to a close the great epic of war and adventure begun in The Fellowship of the Ring and continued in The Two Towers, is the third and final part of J. R. R. Tolkien's masterpiece, "The Lord of the Rings." In these three books, which form one continuous narrative, Tolkien created the saga of the Hobbits of Middle-earth and the great War of the Rings. Praised by such writers and poets as W. H. Auden, Richard Hughes and C. S. Lewis, "The Lord of the Rings" - that special world of beauty and terror and meaning - holds a secure place among the books that will live.