The Gregg Press Western fiction series

It was the only water for miles in a vast, sun-blasted desert where water meant survival. So Logan Cates naturally headed for Papago Wells. But he wasn't the only one. Fleeing the fierce Churupati and his Apache warriors, other travelers had come there too. And when the Apaches found them, they began a siege as relentless and unforgiving as the barren land...and just as inescapable.The last thing Cates wanted was to be responsible for the lives of thirteen desperate strangers and a shipment of gold. But he knew that if they were to survive, he was their last chance. He also knew that some in the party were willing to die--or kill--to get their hands on the money. If he couldn't get them to work together, it wouldn't be the desert or even the Apaches that would do them in--it would be the greed of the very people he was trying to save.From the Paperback edition.

In this great American masterpiece, which served as the basis for the classic John Wayne film, two men with very different agendas push their endurance beyond all faith and hope to find a little girl captured by the Comanche.

This is the story of a man alone in a life of violence, riding a harsh country hungry, searching for home in his heart. In the manner of its telling it is an adventure story. It is the story of Martin Brady, with much blood on his hands, with two languages on his tongue, torn between two ways of life, between two cultures, riding the lonesome leagues in the bright desert light on a black horse named in Spanish Lágrimas - Tears. It is a story of seventy or eighty years ago in "the wonderful country" - a strange, vast country "with a river running right down the middle of it" - the Rio called Grande on one side and Bravo on the other, that marks the line between the United States and Mexico. Martin Brady knew that the river meant. He swam it once at night, a scared boy, alone- "This kid Martin used his father's pistol on his father's killer," the vaquero Mateo Casas boasted. He fed the kid Martin, taught him, helped him while he learned the tongue and the toil, a boy from Kingdom Prairie, Missouri, in peonage on a hacienda in Chihuahua. When Martin Brady rode north to cross the river again, he had spent fourteen years in Mexico, "more than half his life." He knew Mexico, its hunger, its grace, its cruelty, its songs. He knew the people of Mexico, from the humble peon Pablo who drove oxen, to the exalted Don Cipriano Castro who drove men, men yoked as securely as oxen are yoked. Martin Brady, the paid pistolero called Martín Bredi, the exile with blood on his hands, knew the gall of the yoke. He wanted to cross the river. he wanted to know what it might be like on the other side. He found out. Many pople, various as the people of a wide world, form a part of Martin Brady's story: the Mexican Don Santiago Santos who heart pumped rich with the authentic virture and poetry and generosity of his land; the American John Rucker, captain of Texas Rangers, who offered Martin Brady an image of himself "finding a camp at last, lost no longer"; the Negro Tobe Sutton, segeant, 10th Calvary USA, who was proud to say, "Somebody colored got to teach colored people"; the Jew Ludwig Sterner, fresh from Kassel in Prussia, who learned his uncle's business in Texas, "in houses of mud, in the wind", the Apache Magues, who "looked down the many rifle barrels, turned the many knives in flesh, hung a meat hook into screaming soft nakedness." From a March sandstorm on the opening page to another March gale at the story's end, through the four parts of the book, the four seasons of the that year from March to March, the country and the people in it grip at Martin Brady, test him, weave at his fate, in the worn saddle on the black horse named Lágrimas.

"It was a hard land that bred hard men to hard ways. King Mabry survived by his guns. He wasn't proud of his deadly skill, nor was he ashamed. He just lived with it every hard day on the frontier. When a traveling theatrical troupe hired a ruthless killer to guide them through the Wyoming wilderness, King Mabry -- his guns at the ready -- set out to follow their trail, and not blizzards, not Indians, nor the wily guide would stop him" -- back cover.

Story of the Nez Perce campaign of 1877 and the tribal retreat under the great chief Joseph, as told by a 17-year-old Indian warrior.

Conjuring up the ephemeral world of cattle ranchers in the 1880s, this intimate saga delights in a Montana community's boisterous, wanderlusting eccentrics as they chase after love and their unbridled ambitions. At its center is Lat Evans, good-hearted and yet seduced by the possibilities for prosperity in his new life; gradually he discerns how the perils of the natural world, and most especially human nature, can conspire to frustrate a young man's best intentions.

The Lone Ranger and his Indian friend Tonto solve a series of crimes during the construction of the first railroad to the West.

Wagon trains heading west were forced to defend themselves against Indians, cope with injuries and illness, and struggle to find food. The group of easterners Rock Bannon was scouting for faced another problem. They were being deceived. When he warned them to remain on the Humboldt Trail, Sharon Crockett and the others refused to listen. Mort Harper, a stranger riding a beautiful black mare, had dazzled them with his charm and good looks. The southern route was the best way to go, Harper told them. But best for whom? Bannon wondered. That route led straight to the Salt Lake Desert. The conditions would be brutal. And if Harper wasn't steering them toward those deadly alkali flats, where were they headed? And what would happen once they got there?From the Paperback edition.

Concha Argüello, Sister Dominica, by Gertrude Atherton The ford of Crèvecour, by Mary Austin A Californian, by Geraldine Bonner Gideon's knock, by Mary Halleck Foote A yellow man and a white, by Eleanor Gates The judgment of man, by James Hopper The league of the old men, by Jack London Down the flume with the sneath piano, by Bailey Millard The contumacy of Sarah L. Walker, by Miriam Michelson Breaking through, by W.C. Morrow A lost story, by Frank Norris Hantu, by, Henry Milner Rideout Miss Juno, by Charles Warren Stoddard A little savage gentleman, by Isabel Strong Love and advertising, by Richard Walton Tully The Tewana, by Herman Whitaker.