Frank Norris

It was Sunday, and, according to his custom on that day, McTeague took his dinner at two in the afternoon at the car conductors' coffee-joint on Polk Street. He had a thick gray soup; heavy, underdone meat, very hot, on a cold plate; two kinds of vegetables; and a sort of suet pudding, full of strong butter and sugar. On his way back to his office, one block above, he stopped at Joe Frenna's saloon and bought a pitcher of steam beer.

In his brief career -- he died at 32 -- Frank Norris introduced fresh and sometimes shocking elements into American fiction. Inspired by the naturalistic "new novel" developed in France by Zola and Flaubert, he adapted it to American settings, adding his own taste for exciting action and a fascination with the emerging sciences of economics and psychology. Vandover and the brute, set in a vividly described San Francisco, captures with harsh realism the dissipation and decline of a fashionable playboy into virtual bestiality. McTeague (source for Erich von Stroheim's classic film Greed) was a radical departure for its time in its frank treatment of sex, domestic violence and pathological obsession, revealing the dark underside of San Francisco's new middle class. The octopus depicts the epic struggle of strong, ruthless California ranchers with the railroad monopoly and its political machine. Twenty-two essays address theories of literature, the state of American fiction, and the social responsibilities of the artist. The New York Times said, "An opportunity to read, or re-read, in an authentic new edition, the work of one of the trailblazers in American literature.

Nominally, a fictional story of the disputes between a railroad and ranchers in California, it was actually a stern critique of the Central Pacific Railroad based on the famous "Mussel Slough Tragedy" where a shootout occurred between railroad men and citizens of a small California town. The Octopus was originally planned to be part one of a three part trilogy, The Epic of the Wheat. Part two, The Pit, was published later but Norris died before completing the third novel.

Short stories from Norris's time at the San Francisco Wave (1896-1897), selected and edited by Will Irwin.

A friendship between a boy and a ghost in a fishing village in Denmark. The boy is a city orphan and the ghost--the shapeshifting spirit of a dead sailor-- becomes his guardian angel to preserve his innocence.

IT had just struck nine from the cuckoo clock that hung over the mantelpiece in the dining-room, when Victorine brought in the halved watermelon and set it in front of Mr. Bessemer's plate. Then she went down to the front door for the damp, twisted roll of the Sunday morning's paper, and came back and rang the breakfast-bell for the second time.