The Future Is Female
Description
The Future Is Wild (also referred to by the acronym FIW) is a 2002 speculative evolution docufiction miniseries and an accompanying multimedia entertainment franchise. The Future Is Wild explores the ecosystems and wildlife of three future time periods: 5 million, 100 million, and 200 million years in the future, in the format of a nature documentary. Though the settings and animals are fictional, the series has an educational purpose, serving as an informative and entertaining way to explore concepts such as evolution and climate change. The Future Is Wild was first conceived by independent producer Joanna Adams in 1996 and developed together with various scientists, including Dougal Dixon, best known as the author of the 1981 book After Man, which also explored future wildlife. The 2002 series was an international co-production, involving the Franco-German channel Arte, the German ZDF, the Austrian ORF, the Italian MFE - MediaForEurope (via their Mediaset division), and the American Animal Planet and Discovery Channel.
How the series evolves
Books in this Series
The Future is Female!
"Bending and stretching its conventions to imagine new, more feminist futures and new ways of experiencing gender, visionary women writers have been from the beginning an essential if often overlooked force in American science fiction. Two hundred years after Mary Shelley's Frankenstein, SF-expert Lisa Yaszek presents the best of this female tradition, from the pioneers of the Pulp Era to the radical innovators of the 1960s New Wave, in a landmark anthology that upends the common notion that SF was conceived by and for men. Here are 25 mind-blowing SF classics that still shock and inspire: Judith Merril and Wilmar H. Shiras's startling near-future stories of the children of the new atomic age; Carol Emshwiller and Sonya Dorman's haunting explorations of alien otherness; dystopian fables of consumerism and overpopulation by Elizabeth Mann Borgese and Alice Glaser; evocations of cosmic horror from Margaret St. Clair and Andrew North (Andre Norton); and much more. Other writers here take on some of SF's sexist clichés and boldly rethink sex and gender from the ground up. C. L. Moore and Leslie Perri introduce courageous, unforgettable "sheroes"; Alice Eleanor Jones sounds a housewife's note of protest against the conformities of life in a postapocalyptic suburb; Leslie F. Stone envisions an interplanetary battle of the sexes, in which the matriarchs of Venus ward off unprovoked attacks by barbaric spacemen from Earth; John Jay Wells and Marion Zimmer Bradley wonder how future military men will feel about their pregnancies. The Future Is Female! is a star-spanning, soul-stirring, multidimensional voyage of literary-feminist exploration and recovery that will permanently alter your perceptions of American SF."--Publisher's website.
The Future is Female 2!
While the modern novel format dates back at least as far as the 18th century, novels dealing with desire or relationships between men were rare during the early part of the 20th century, and nearly non-existent before then, due to the taboo nature of homosexuality at the time. Many early novels depicting (or even alluding to) homosexuality were published anonymously or pseudonymously, or like Maurice, sat unpublished until after the death of the author, reflecting authors' fear of opprobrium, censorship, or legal prosecution. Works which are widely labeled "gay novels" generally feature overt gay attraction or relationships as central concerns. In some cases, the label may be applied to early novels which merely contain homosexual allusions or subtext, such as Oscar Wilde's The Picture of Dorian Gray. Works that feature only minor gay characters or scenes, such as the 1748 erotic novel Fanny Hill, are not included in this list.