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Suny Series, Women Writers in Translation

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9 books
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Sarah Bernhardt

Sarah Bernhardt (French: [saʁa bɛʁnɑʁt]; born Henriette-Rosine Bernard; 22 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including La Dame aux Camélias by Alexandre Dumas fils, Ruy Blas by Victor Hugo, Fédora and La Tosca by Victorien Sardou, and L'Aiglon by Edmond Rostand. She played female and male roles, including Shakespeare's Hamlet. Rostand called her "the queen of the pose and the princess of the gesture", and Hugo praised her "golden voice". She made several theatrical tours worldwide and was one of the early prominent actresses to make sound recordings and act in motion pictures. She was also an accomplished visual artist, as a painter and particularly as a sculptor.

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Books in this Series

Ma double vie

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My Double Life is the autobiography of the French actress Sarah Bernhardt, who was internationally famed during her lifetime and afterwards as one of the classical theater's all-time greatest stars. Bernhardt's memoirs are composed with a novelist's (or actress's) sense of artistry and suspense that leaves no doubt of the charisma for which she was famed in her "double life," both on- and offstage. Yet at the same time as this book very consciously contributes to the crafting of her image, it also illuminates a whole era: not only the world of theater, but also the worlds of women, politics, society, Europe and America, and, indeed, of history making itself.

Birth and death of the housewife

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"Stepping out of her beloved trunk full of bread crumbs, dust, spider webs, books, and ragged funeral ornaments, the young protagonist of Paola Masino's most controversial novel realizes that her fate is already sealed. She will have to conform to society's expectations of a woman: her wild imagination will have to be controlled, her intelligence kept at bay. In short, she will have to become a Housewife. Subject to Fascist censorship before its first publication in 1945, Birth and Death of the Housewife offers a surrealist criticism of Fascism and the rigid notion of womanhood it promoted. In her depiction of a woman's struggle to play a role that simply does not correspond to her desires, Masino expresses a frustration and a rebellious instinct rarely found among her contemporaries. Defying interpretations and standing alone among the heroines of twentieth-century Italian literature, Masino's Housewife remains an uncomfortable, enigmatic figure whose impudent determination to challenge the bulwarks of traditional female roles reaches beyond historical boundaries and resonates powerfully with contemporary readers." --Book Jacket.

Delirio y destino

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Maria Zambrano's Delirium and Destiny makes the work of this major Spanish philosopher available in English for the first time. An excellent introduction to Zambrano's life and thought, it traces the intellectual formation of a young woman who became one of Jose Ortega y Gasset's most distinguished pupils, and it chronicles Zambrano's redefinition of his philosophical positions. A truly interdisciplinary work, this translation is accompanied by an extensive critical essay, a translator's afterword, and a glossary of pertinent historical and philosophical terms.

The disenchantments of love

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The Disenchantments of Love, published in Spain in 1647 by Maria de Zayas, is a stunning collection of stories about women's amorous experiences in a patriarchal and imperialistic society during the turbulent seventeenth century. Now available for the first time in English translation, the ten exemplary novelas are set within an encompassing frame story that continues from the first collection, The Enchantments of Love: Amorous and Exemplary Novels, published in 1637. These sensational and bizarre tales focus on the ways lovers deceive women in order to "get their way," through magic, cross-dressing as women, and rape - to the torture and murder of innocent women at the hands of their protectors - their fathers, brothers, and husbands. A fascinating dimension of these fast-paced narratives is what they suggest through omission, silence, and ambiguous detail: the untold story that fires the reader's imagination.