Native American Series

"Alexander Cleave - a famous actor who "took to the stage to give myself a cast of characters to inhabit who would be ... of more weight and moment than I could ever hope to be" - faces the almost certain collapse of his thirty-year career. In physical and psychological retreat, he returns to his abandoned childhood home, believing that, away from his wife and daughter, away from the world at large, alone, without an audience of any kind, he might finally stop performing, catch himself in the act of living, and simply be.". "But the house is unexpectedly populated. There are Cleave's memories, which seem to rise up out of the house itself: of the years during his childhood when his mother took in boarders; of the beginnings, and the beginnings-of-the-end, of his career and his marriage; of the course of his relationship with his now estranged daughter; and of his father, who committed suicide when Cleave was still a boy. There are the corporeal, but illicit, inhabitants of the house: the caretaker, an unsettling presence "with the ageless aspect of a wastrel son," and the fifteen-year-old housekeeper, a "voluptuary of indolence." And there are the apparitions (ghosts? premonitions? visitations?) - a woman, a child, and a third, ill-defined figure - who Cleave feels are "intricately involved in the problem of whatever it is that has gone wrong with me."". "Struggling to determine what exactly has gone wrong, and to understand what part the apparitions play in his life and he in theirs, Cleave slowly comes to see the ways in which things and people - himself included - are not what they seem, and the ways in which, inevitably, they reveal what they are."--BOOK JACKET.

Peter Matthiessen’s great American epic–Killing Mister Watson, Lost Man’s River, and Bone by Bone–was conceived as one vast mysterious novel, but because of its length it was originally broken up into three books. In this bold new rendering, Matthiessen has cut nearly a third of the overall text and collapsed the time frame while deepening the insights and motivations of his characters with brilliant rewriting throughout. In Shadow Country, he has marvelously distilled a monumental work, realizing his original vision. Inspired by a near-mythic event of the wild Florida frontier at the turn of the twentieth century, Shadow Country reimagines the legend of the inspired Everglades sugar planter and notorious outlaw E. J. Watson, who drives himself relentlessly toward his own violent end at the hands of neighbors who mostly admired him, in a killing that obsessed his favorite son. Shadow Country traverses strange landscapes and frontier hinterlands inhabited by Americans of every provenance and color, including the black and Indian inheritors of the archaic racism that, as Watson’s wife observed, "still casts its shadow over the nation." --front flap

A collection of poems reveals the spirit of Native American resistance, determination, and sovereignty.

The story of a dance that would restore the bountiful world of the Indians is told in verse.