Modern German voices series

In A Jewish Mother from Berlin, Martha Jadassohn's seemingly conventional life plunges into chaos after a brutal attack on her only child. As Martha assumes the self-imposed mission of combing Berlin for the man who raped five-year-old Ursa, she encounters Berlin's staid and seamy sides - a world peopled with working-class weekend gardeners, middle-class cultural snobs, transvestites, a former Spanish dancer turned hostess with a secret, and a Jewish lawyer who clings rigidly to the rule of law. During her harrowing quest, Martha becomes obsessed with a handsome, shallow "Aryan" type in a relationship that intensifies her solitude and alienation. Kolmar peels away the layers of Martha's outward restraint to bare the soul of a woman slowly shattered by a callous society in which Jews are outcasts and women preyed upon. Another heroine on a quest for love and self-expression propels the lyrical novella Susanna, a finely wrought psychological portrait of an outsider. The ethereally beautiful Susanna sets out on a tragic search for her lost lover, only to find herself floundering in a world where everyone's perceptions clash with her own.

Malina is a 1971 novel by the Austrian writer Ingeborg Bachmann. It tells the story of a female writer and her relationships with two different men, one joyous and one introverted. The text deals with themes including gender relations, guilt, mental illness, writing, and collective and personal trauma in the context of post-Second World War Vienna. The book was adapted into a 1991 film with the same title, directed by Werner Schroeter from a screenplay by Bachmann's compatriot Elfriede Jelinek.

Originally written in German, this trilogy is described in Whittaker Chambers: A Biography by Sam Tanenhaus: "The high point in Paris was meeting the novelist Manès Sperber, one of the great survivors of Europe's terrible recent decades. His travail had taken him from a tiny Jewish village in Galicia to secret Comintern work in the 1920s, to arrest and solitary confinement in a Nazi prison cell after the Reichstag fire of 1933, thence to Paris. In his thousand-page trilogy, Like a Tear in the Ocean, written during the occupation, Sperber memorialized torments endured, not imagined. He was now as dogmatically anti-Communist as Chambers." Sperber was born on 12 December 1905 in Zabłotów near Kolomea, in the Austrian Galicia (today Zabolotiv, Ukraine). Sperber grew up in the shtetl of Zabłotów in a Hasidic family. He was the son of David Mechel Sperberand the older brother of Milo Sperber born 1911, who was to become an actor in Britain. In the summer of 1916 the family fled from war to Vienna, where Sperber who, having lost faith, at 13 had refused to do his bar mitzvah, joined the Jewish Hashomer Hatzair youth movement. There he met Alfred Adler, the founder of individual psychology, and became a student and co-worker. Adler broke with him in 1932 because of differences in opinion about the connection of individual psychology and Marxism. In 1927 Sperber had moved to Berlin and joined the Communist Party. He lectured at the Berliner Gesellschaft für Individualpsychologie, an institute for individual psychology in Berlin. After Hitler had taken power Sperber was taken to jail, but was released after a few weeks on the grounds that he was an Austrian citizen. He emigrated first to Yugoslavia and then in 1934 to Paris where he worked for the Communist International with Willi Münzenberg. In 1938 he left the party because of the Stalinist purges within the party. In his writing he started to deal with totalitarianism and the role of the individual within society (Zur Analyse der Tyrannis). In 1939 Sperber volunteered for the French Army. After the defeat, he took refuge in Cagnes, in the so-called "zone libre" (free zone) of France, and had to flee with his family to Switzerland in 1942, when the deportation of Jews started in that zone too. Manès Sperber is the author of a novel trilogy: Like a Tear in the Ocean: A Trilogy, (1949–1955) mirroring his life. The three books making up the trilogy: The Burned Brumble (Vol. 1) The Abyss (Vol. 2) Journey Without End (Vol. 3)

This is collection of the stories written by a distinguished German author who died in 1973. Reading these stories entails abandoning the terms of one's own comfort. The author's relentless vision demands that readers allows themselves to be hypnotised, taken over by her repetitive cadences and burning images of grief and loss. And yet, in the beauty of her images there is a tremendous affirmation of the world.

A picture of the Communist underground in Europe is woven around three leaders, who have begun to doubt.