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Ingeborg Bachmann

Personal Information

Born January 1, 1926
Died January 1, 1973 (47 years old)
Klagenfurt am Wörthersee, Austria
17 books
5.0 (2)
105 readers

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Books

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Kriegstagebuch

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4

The war diary of General Franz Halder is one of the richest and most significant documents for the history of WWII. As the German Army Chief of Staff his position was one of extensive responsibility: organizing and controlling the highest army headquarters, advising the army commander in chief, and then executing the military decisions. In satisfying his complext responsibilities, Halder kept careful, daily notes of his multifaceted activities. -- Taken from book jacket flap.

The Other Persuasion

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22

Contains: Before dark (1893) / by Marcel Proust ; translated by Richard Howard -- Mabel Neathe (1903) / by Gertrude Stein -- Prologue to Women in love (1921) / by D.H. Lawrence -- Miss Ogilvy finds herself (1926) / by Radclyffe Hall -- Arthur Snatchfold (1928) / by E.M. Forster -- Divorce in Naples (1931) / by William Faulkner -- Just boys (1931-1934) / by James T. Farrell -- The knife of the times (1932) / by William Carlos Williams -- The sea change / by Ernest Hemingway -- Momma (1947) / by John Horne Burns -- Pages from Cold Point (1950) / by Paul Bowles -- Letters and life (1952) / by Christopher Isherwood -- My brother writes poetry for an Englishman (1953) / by Marris Murray -- Two on a party (1954) / by Tennessee Williams -- You may safely gaze (1956) / by James Purdy -- Pages from an abandoned journal (1956) / by Gore Vidal -- Johnnie (1958) / by Joan O'Donovan -- The threesome (1961) / by Helen Essary Ansell -- A step towards Gomorrah (1961) / by Ingeborg Bachmann ; translated by Michael Bullock -- Jurge Dulrumple (1962) / by John O'Hara -- The wreck (1962) / by Maude Hutchins -- The beautiful room is empty (1966) / by Edmund White -- Chagrin in three parts (1967) / by Graham Greene -- Miss A. and Miss M. (1972) / by Elizabeth Taylor -- Burning th bed (1973) / by Doris Betts -- Middle children (1975) / by Jane Rule.

The book of Franza & Requiem for Fanny Goldmann

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3

"These unfinished novels, Ingeborg Bachmann's only untranslated works of fiction, were intended to follow her widely acclaimed work Malina in a cycle to be entitled Todesarten, or Ways of Dying. Although Bachmann died before completing them, The Book of Franza and Requiem for Fanny Goldmann stand on their own, continuing Bachmann's tradition of using language to confront the disease plaguing human relationships."--BOOK JACKET. "Bachmann's perception of fascism as not being limited to the context of the war but also existing within the intimate relations of everyday life - between husbands and wives, brothers and sisters, psychiatrists and patients - is evident in The Book of Franza. A woman escapes from a sanitorium and, after years of silence, sends her brother a cryptic telegram. Rightly suspecting that she has fled her sadistic husband - a renowned Austrian psychiatrist whose intimate relations have merged with his studies of concentration camps - her brother finds her in their childhood home. They travel to Egypt, where Franza slowly begins to regain her bearings. But Franza's desire to cleanse herself by journeying into the heart of the desert's void ends in tragedy."--BOOK JACKET. "The heroine of Requiem for Fanny Goldmann makes no attempt to escape her history. Fanny, a Viennese actress, is manipulated by an ambitious playwright. Deception follows disloyalty, and the final treachery comes when the playwright portrays her in a novel, securing his fame but robbing Fanny of her future."--BOOK JACKET.

Die Radiofamilie

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Scripts from the radio program "Die Radiofamilie."

Simultaan

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Oorspr. titel: Simultan : neue Erzählungen. Vijf verhalen over Weense vrouwen die door hun karakterstructuur of door omstandigheden van buitenaf er niet in slagen een bevredigende, blijvende relatie met een man op te bouwen.

Songs in Flight

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1

"Songs in flight gathers together Bachmann's two celebrated books of poetry, as well as the early and late poems not collected in book form. Given that Bachmann and Paul Celan are considered to be the two most important poets to emerge in post-war German letters, this volume represents an introduction to a major voice in 20th-century poetry that is long overdue.". "Influencing numerous writers from Thomas Bernhard to Christa Wolf, Bachmann's poetic investigation into the nature and limits of language in the face of history remains unmatched in its ability to combine philosophical insight with haunting lyricism. Just as Bachmann's Malina sought to expand the possibilities of the novel, Songs in Flight contains the bedrock of a vision as far reaching as it is indelible, and as uncompromising as it is bound to hope."--BOOK JACKET.

Darkness Spoken

5.0 (1)
6

Darkness spoken collects Ingeborg Bachmann's two celebrated books of poetry, as well as the early and late poems not collected in book form. This edition also contains 129 poems released from Bachmann's archives that have never before been translated. Twenty-five of these poems also appear in German in this bilingual edition for the first time anywhere, making Darkness spoken the most complete volume of Bachmann's poetry in English and German. Bachmann is considered one of the most important poets to emerge in post-war German letters, and this volume represents the largest collection available of this major voice in 20th-century poetry.

Malina

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29

Malina is a 1971 novel by the Austrian writer Ingeborg Bachmann. It tells the story of a female writer and her relationships with two different men, one joyous and one introverted. The text deals with themes including gender relations, guilt, mental illness, writing, and collective and personal trauma in the context of post-Second World War Vienna. The book was adapted into a 1991 film with the same title, directed by Werner Schroeter from a screenplay by Bachmann's compatriot Elfriede Jelinek.

The Thirtieth Year

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21

This is collection of the stories written by a distinguished German author who died in 1973. Reading these stories entails abandoning the terms of one's own comfort. The author's relentless vision demands that readers allows themselves to be hypnotised, taken over by her repetitive cadences and burning images of grief and loss. And yet, in the beauty of her images there is a tremendous affirmation of the world.