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Icon Editions

Minsik readers
0.0
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Other platforms
4.5
2 ratings
22
BOOKS
6,369
PAGES
~106h 9min
READING TIME

About Author

Erwin Panofsky

Erwin Panofsky (March 30, 1892 – March 14, 1968) was a German art historian whose work represents a high point in the modern academic study of iconography, including his hugely influential Renaissance and Renascences in Western Art and his seminal Early Netherlandish Painting. Panofsky's ideas were highly influential in intellectual history in general, particularly in his use of historical ideas to interpret artworks and vice versa. Many of his books are still in print, including Studies in Iconology: Humanist Themes in the Art of the Renaissance (1939), Meaning in the Visual Arts (1955), and his 1943 study The Life and Art of Albrecht Dürer. His academic career was pursued mostly in the U.S. after the rise of the Nazi regime.

Description

Millar & McNiven's Nemesis is a creator-owned comic book limited series written by Mark Millar, drawn by Steve McNiven and published by the Icon Comics imprint of Marvel Comics. Two Image Comics-published sequels followed: Nemesis: Reloaded, and Big Game (both 2023), along with two further Dark Horse Comics-published sequels, Nemesis: Rogues' Gallery (2024–2025) and Nemesis: Forever (2025–2026).

How the series evolves

beginning
Early Netherlandish painting, its origins and character
0.0· tough start
peak
Romanticism
4.5· best book in series
finale
Victorian painting
0.0· messes up the ending
overall
0.2· maybe series needed more care

Books in this Series

Early Netherlandish painting, its origins and character

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"The book had a wide impact on studies of Renaissance art and Early Netherlandish painting in particular, but also studies in iconography, art history, and intellectual history in general. The book is particularly well-known for its iconographic treatment of Van Eyck's Arnolfini Portrait as a kind of marriage contract. The book remains influential despite its reliance on black-and-white reproductions of paintings, which led to some errors of analysis."--The books that shaped art history (p. 95).

Romanticism

4.5 (2)
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"Romanticism was 'a way of feeling' rather than a style in art. In the period c.1775-1830, against the background of the French Revolution and Napoleonic Wars, European artists, together with poets and composers, initiated their own rebellion against the dominant political, religious and social ethos of the day. Their quest was for personal expression and individual liberation, and in the process the Romantics transformed the idea of art, seeing it as an instrument of social and psychological change." "In this volume, David Blayney Brown takes a thematic approach to Romanticism, relating it to the concurrent, more stylistic movements of Neoclassicism and the Gothic Revival, and discussing its relationship with the political and social developments of the era. He not only looks at how artists as diverse as Goya, Delacroix, Friedrich and Turner responded to landscapes or depicted historical events, but also examines painters such as David and Ingres who are not usually considered Romantics. Brown concludes with an analysis of the continuing relevance of Romantic ideas. As a result, the reader is given a clear understanding of a complex movement that produced some of the greatest European art, literature and music."--Jacket.