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Ibérica

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3
BOOKS
773
PAGES
~12h 53min
READING TIME

About Author

Tirso de Molina

Gabriel Téllez, O. de M. (24 March 1583 – 20 February 1648), also known as Tirso de Molina, was a Spanish Baroque dramatist and poet, as well as a Mercedarian friar, and Catholic priest. He is primarily known for writing The Trickster of Seville and the Stone Guest, the play from which the character Don Juan originates. His work also includes female protagonists and the exploration of sexual issues.

Description

"First complete English translation of Sor Juana's brilliant comedia, Los empeños de una casa (1989), in which she subverts the conventions of gender and Golden Age drama to suit her own feminine perspectives. Castaño, the male character disguised as a woman, performs the construction of gendered identity. Notes help with the 17th-century references and baroque Spanish. Bibliography of primary and secondary sources. This script served for premier productions in March 1996 at Oklahoma City Univ. and at the International Siglo de Oro Theater Festival in El Paso. The annotated translation is clear but its modern registers lose the baroque flavor and wit of the original, in contrast to Peden's translation"--Handbook of Latin American Studies, v. 58.

How the series evolves

beginning
La vida y muerte de Herodes
0.0· tough start
finale
Pedro Calderón de la Barca's The fake astrologer
0.0· messes up the ending
overall
0.0· maybe series needed more care

Books in this Series

The house of trials

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"First complete English translation of Sor Juana's brilliant comedia, Los empeños de una casa (1989), in which she subverts the conventions of gender and Golden Age drama to suit her own feminine perspectives. Castaño, the male character disguised as a woman, performs the construction of gendered identity. Notes help with the 17th-century references and baroque Spanish. Bibliography of primary and secondary sources. This script served for premier productions in March 1996 at Oklahoma City Univ. and at the International Siglo de Oro Theater Festival in El Paso. The annotated translation is clear but its modern registers lose the baroque flavor and wit of the original, in contrast to Peden's translation"--Handbook of Latin American Studies, v. 58.

Pedro Calderón de la Barca's The fake astrologer

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In the early 1620's, the famous Spanish playwright, Don Pedro Calderon de la Barca, wrote a delightful and suspenseful comedia, The Fake Astrologer, which gained great favor and popularity all over Europe. In fact, there are at least eighteen adaptations of this play in French, English, Italian, Dutch, German, and Spanish some by no lesser authors than John Dryden and Voltaire. The present work represents the complete "literary biography" of this much-traveled play, including the critical Spanish text, a faithful, modern, rhymed English translation, and a study of the adaptations. A critical appreciation of the comedia will allow the reader to understand how a typical baroque cloak and sword play of the Spanish Golden Age was transmuted to please audiences and readers with different national tastes and preferences. It is hoped that in its present modern English version and with its complete commentary it will prove of equal appeal to the aficionado of good theatre, the student of comparative literature, the Spanish Golden Age specialist, and the larger reading public.