French literature series

Here we have the anatomy of the contemporary writer, imagined by the pseudonymous, “post-exotic” Antoine Volodine. His writers are not the familiar, bitter, alcoholic kind; nor are they great, romantic, tortured geniuses; and least of all are they media darlings and socialites. In Volodine’s universe, the writer is pitted in a pathetic struggle against silence and sickness, when she is not about to be murdered by random lunatics or fellow inmates. Consisting of seven loosely interlocking stories, Writers exposes a chaotic reality in which self expression elicits repercussions both absurd and frighteningly familiar.

Martereau is narrated by a tubercular young man driven by a compulsion to discover what lies behind fads, especially in relation to the adults and the family around him. He's particularly interested in Martereau, his uncle's devoted friend and business associate. All in all, Martereau seems like a trustworthy, benign, self-sufficient man, but under the narrator's intense scrutiny--and Martereau's suspect behavior concerning a shady real-estate deal--his motives seem much more complex and seedy. In a subtle, skillful way, Nathalie Sarraute explores the difference between those who are wealthy and those who pretend to be so, and the manipulative way in which some people get ahead in the world.

Completed the day before his death in 1961, Rigadoon, the most compassionate of Celine's novels, explores the ravages of war and its aftermath. Often comic and always angry, the first-person autobiographical narrator, with his wife and their cat in tow, takes the reader with him on his flight from Paris to Denmark after finding himself on the losing side of World War II. The train rides that encompass the novel are filled with madness and mercy, as Celine, a physician, aids refugees while ignoring his own medical needs.

"Set in a bizarre and slightly sinister town where the elderly are auctioned off at an Old Folks Fair, the townspeople assail the priest in hopes of making it rain, and the official town scapegoat bears the shame of the citizens by fishing junk out of the river with his teeth. Heartsnatcher is Boris Vian's most playful and most serious work." "The main character is Clementine, a mother who punishes her husband for causing her the excruciating pain of giving birth to three babies. As they age, she becomes increasingly obsessed with protecting them, going so far as to build an invisible wall around their property."--Jacket.

An obsessive and revealing self-portrait of a remarkable woman humiliated by the circumstances of her birth and by her physical appearance. La Batarde relates Violette Leduc's long search for her own identity through a series of agonizing and passionate love affairs with both men and women. When first published, La Batarde was compared to the work of Jean Genet for the frank depiction of sexual escapades and immoral behavior. A confession that contains portraits of several famous French authors, this book is more than just a scintillating memoir - like that of Henry Miller or Charles Bukowski, Leduc's brilliant writing style and attention to language transform this autobiography into a work of art.

"Louis Meyer is an overworked aerospace engineer looking forward to a week-long vacation on the Mediterranean. DeMilo is an astronaut and self-proclaimed ladies' man whose behavior borders on the obsessive and voyeuristic. When a series of coincidences and disasters--including a devastating earthquake in Marseilles--brings them together on a spacecraft with an aloof woman they are both strongly attracted to, the two men's flaws and shortcomings emerge as they engage in an underhanded competition to win her over. Brimming with Jean Echenoz's inimitable humor, We Three is both a satirical take on the adventure novel and subtle experiment with narrative point of view."--