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French Literature Series

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Other platforms
4.0
5 ratings
9
BOOKS
1,977
PAGES
~32h 57min
READING TIME

About Author

Antoine Volodine

Etudes de lettres et de langues slaves Professeur de russe Grand Prix de l'Imaginaire 1987 Prix du Livre Inter 2000

Description

Here we have the anatomy of the contemporary writer, imagined by the pseudonymous, “post-exotic” Antoine Volodine. His writers are not the familiar, bitter, alcoholic kind; nor are they great, romantic, tortured geniuses; and least of all are they media darlings and socialites. In Volodine’s universe, the writer is pitted in a pathetic struggle against silence and sickness, when she is not about to be murdered by random lunatics or fellow inmates. Consisting of seven loosely interlocking stories, Writers exposes a chaotic reality in which self expression elicits repercussions both absurd and frighteningly familiar.

How the series evolves

beginning
Writers
0.0· tough start
peak
Arrache-coeur
4.0· best book in series
finale
We three
0.0· messes up the ending
overall
1.3· maybe series needed more care

Books in this Series

Writers

0.0 (0)
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Here we have the anatomy of the contemporary writer, imagined by the pseudonymous, “post-exotic” Antoine Volodine. His writers are not the familiar, bitter, alcoholic kind; nor are they great, romantic, tortured geniuses; and least of all are they media darlings and socialites. In Volodine’s universe, the writer is pitted in a pathetic struggle against silence and sickness, when she is not about to be murdered by random lunatics or fellow inmates. Consisting of seven loosely interlocking stories, Writers exposes a chaotic reality in which self expression elicits repercussions both absurd and frighteningly familiar.

Martereau

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Martereau is narrated by a tubercular young man driven by a compulsion to discover what lies behind fads, especially in relation to the adults and the family around him. He's particularly interested in Martereau, his uncle's devoted friend and business associate. All in all, Martereau seems like a trustworthy, benign, self-sufficient man, but under the narrator's intense scrutiny--and Martereau's suspect behavior concerning a shady real-estate deal--his motives seem much more complex and seedy. In a subtle, skillful way, Nathalie Sarraute explores the difference between those who are wealthy and those who pretend to be so, and the manipulative way in which some people get ahead in the world.

Television

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"The self-possessed protagonist and narrator of Jean-Philippe Toussaint's novel is an acedemic on sabbatical in Berlin. He plans to write a groundbreaking study of Titian, but after a couple of months, all he's completed is "When Musset." He blames his obsession with watching TV for preventing him from writing more, so he decides to stop watching television all together (after the end of the Tour de France, of course). Still unable to write his book, he is haunted by television, from the video surveillance screens in a museum to a moment when it seems everyone in Berlin is tuned in to Baywatch. One of Toussaint's funniest antiheroes, the protagonist of Television turns daily occurrences into comic nightmares about the influence of television on our lives."--BOOK JACKET.

Arrache-coeur

4.0 (1)
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"Set in a bizarre and slightly sinister town where the elderly are auctioned off at an Old Folks Fair, the townspeople assail the priest in hopes of making it rain, and the official town scapegoat bears the shame of the citizens by fishing junk out of the river with his teeth. Heartsnatcher is Boris Vian's most playful and most serious work." "The main character is Clementine, a mother who punishes her husband for causing her the excruciating pain of giving birth to three babies. As they age, she becomes increasingly obsessed with protecting them, going so far as to build an invisible wall around their property."--Jacket.

La bâtarde

4.0 (3)
1

An obsessive and revealing self-portrait of a remarkable woman humiliated by the circumstances of her birth and by her physical appearance. La Batarde relates Violette Leduc's long search for her own identity through a series of agonizing and passionate love affairs with both men and women. When first published, La Batarde was compared to the work of Jean Genet for the frank depiction of sexual escapades and immoral behavior. A confession that contains portraits of several famous French authors, this book is more than just a scintillating memoir - like that of Henry Miller or Charles Bukowski, Leduc's brilliant writing style and attention to language transform this autobiography into a work of art.

Les 21 jours d'un neurasthénique

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Driven mad by modern life, Georges Vasseur leaves for a rest cure, where he encounters corrupt politicians, amnesiac coquettes, cheerfully sadistic killers, imperialist generals, and quack psychiatrists. Hypocrites are eternal, and not much has changed since Mirbeau wrote this acid portrait of his era.

We three

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"Louis Meyer is an overworked aerospace engineer looking forward to a week-long vacation on the Mediterranean. DeMilo is an astronaut and self-proclaimed ladies' man whose behavior borders on the obsessive and voyeuristic. When a series of coincidences and disasters--including a devastating earthquake in Marseilles--brings them together on a spacecraft with an aloof woman they are both strongly attracted to, the two men's flaws and shortcomings emerge as they engage in an underhanded competition to win her over. Brimming with Jean Echenoz's inimitable humor, We Three is both a satirical take on the adventure novel and subtle experiment with narrative point of view."--