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A Bison book

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About Author

James Fenimore Cooper

James Fenimore Cooper was a prolific and popular American writer of the early 19th century. He is best remembered as a novelist who wrote numerous sea-stories and the historical novels known as the Leatherstocking Tales, featuring frontiersman Natty Bumppo. Among his most famous works is the Romantic novel [The Last of the Mohicans], often regarded as his masterpiece. :

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Books in this Series

#10

The sea lions

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If any thing connected with the hardness of the human heart could surprise us, it surely would be the indifference with which men live on, engrossed by their worldly objects, amid the sublime natural phenomena that so eloquently and unceasingly speak to their imaginations, affections, and judgments. So completely is the existence of the individual concentrated in self, and so regardless does he get to be of all without that contracted circle, that it does not probably happen to one man in ten, that his thoughts are drawn aside from this intense study of his own immediate wants, wishes, and plans, even once in the twenty-four hours, to contemplate the majesty, mercy, truth, and justice, of the Divine Being that has set him, as an atom, amid the myriads of the hosts of heaven and earth.

The home place

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This account in first-person narrative and photographs of the one-day visit of Clyde Muncy to "the home place" at Lone Tree, Nebraska, has been called "as near to a new fiction form as you could get." Both prose and pictures are homely: worn linoleum, an old man’s shoes, well-used kitchen utensils, and weathered siding. Muncy’s journey of discovery takes the measure of the man he has become and of what he has left behind.

Via western express & stagecoach

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Stage and express lines involved in the opening up of California.

The plainsmen of the Yellowstone

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Chronicles a century and a half of settement in the basin of the Yellowstone River.

The world of Dunnet Landing

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"The country of the pointed firs and ... four later sketches comprise part one ... Part two consists of five critical essays [by] Martha Hale Shackford [and others]."