Discover

Veils

Minsik readers
0.0
0 ratings
Other platforms
0.0
0 ratings
108
PAGES
~1h 48min
READING TIME
English
LANGUAGE
Stanford University Press 4 views
ISBN
0804737940, 0804737959
4 views
Minsik want to read: 0
Minsik reading: 0
Minsik read: 0
Open Library want to read: 0
Open Library reading: 0
Open Library read: 0

About Author

Hélène Cixous

Hélène Cixous ( sihk-SOO; French: [siksu]; born 5 June 1937) is a French writer, playwright and literary critic. During her academic career, she was primarily associated with the Centre universitaire de Vincennes (today's University of Paris VIII), which she co-founded in 1969 and where she created the first centre of women's studies at a European university. Known for her experimental writing style and great versatility as a writer and thinker, she has written more than seventy books dealing with multiple genres: theatre, literary and feminist theory, art criticism, autobiography and poetic fiction. She first gained attention in 1969 with her first work of fiction, Dedans (Inside), a semi-autobiographical novel which won the Prix Médicis and explored the themes of identity, memory, death and writing. She is perhaps best known for her 1976 article "The Laugh of the Medusa", which established her as one of the early thinkers in post-structural feminism.

Description

"Something of a historical event, this book combines loosely "autobiographical" texts by two of the most influential French intellectuals of our time. "Savoir," by Helene Cixous, is a brief but densely layered account of her experience of recovered sight after a lifetime of severe myopia, an experience that ends with the unexpected turn of grieving for what is lost. Her literary inventiveness mines the coincidence in French between the two verbs savoir (to know) and voir (to see). Jacques Derrida's "A Silkworm of One's Own" complexly muses on a host of autobiographical, philosophical, and religious motifs including his varied responses to "Savoir." The two texts are accompanied by six beautiful and evocative drawings that play on the theme of drapery over portions of the body.". "Veils suspends sexual difference between two homonyms: la voile (sail) and le voile (veil). A whole history of sexual difference is enveloped, sometimes dissimulated here in the folds of sails and veils and in the turns, journeys, and returns of their metaphors and metonymies.". "However foreign to each other they may appear, however autonomous they may be, the two texts participate in a common genre: autobiography, confession, memoirs. The future also enters in: by opening to each other, the two discourses confide what is about to happen, the imminence of an event lacking any common measure with them or with anything else, an operation that restores sight and plunges into mourning the knowledge of the previous night, a "verdict" whose threatening secret remains out of reach by our knowledge."--BOOK JACKET.

Detailed Ratings

0.0Emotional Impact
No ratings yet
0.0Intellectual Depth
No ratings yet
0.0Writing Quality
No ratings yet
0.0Rereadability
No ratings yet
0.0Pacing
No ratings yet
0.0Readability
No ratings yet
0.0Plot Complexity
No ratings yet
0.0Humor
No ratings yet