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Shades--of painting at the limit

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192
PAGES
~3h 12min
READING TIME
English
LANGUAGE
Indiana University Press 3 views
ISBN
9780253031334
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About Author

John Sallis

James Chapelle Sallis (December 21, 1944 – January 27, 2026) was an American crime writer, poet, science fiction writer, and biographer who wrote a series of novels featuring the detective character Lew Griffin set in New Orleans, and the 2005 novel Drive, which was adapted into a 2011 film of the same name. Sallis began writing science fiction for magazines in the late 1960s. Having sold several stories to Damon Knight for his Orbit series of anthologies, and a story to Michael Moorcock by the time he was in his mid-twenties, Sallis was then invited to go to London to help edit New Worlds just as it changed to its large format during its Michael Moorcock-directed New Wave SF phase; Sallis published his first sf story, "Kazoo", there in 1967 and was co-editor from April 1968 through February 1969. His clearly acknowledged models in the French avant-garde and the gnomic brevity of much of his work limited his appeal in the science fiction world, though he received some critical acclaim for A Few Last Words (collection, 1970). Sallis has been influenced by French New Novelists including Michel Butor and Robbe-Grillet.

Description

What is it that an artist paints in a painting? Working from paintings themselves rather than from philosophical theories, John Sallis shows how, through shades and limits, the painter renders visible the light that confers visibility on things. In his extended examination of three phases in the development of modern painting, Sallis focuses on the work of Claude Monet, Wassily Kandinsky, and Mimmo Paladino - three painters who, each in his own way, carry painting to the limit. Attentive to the ways in which paintings disclose the visibility of the visible order, Shades reveals the excess by which painting is always more than mere depiction or figuration. Reproductions of all the works discussed are included.

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