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Paris

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296
PAGES
~4h 56min
READING TIME
English
LANGUAGE
Published 1937 Lonely Planet Publications 86 views
ISBN
1740597605, 9781740597609
Editions
Paperback
86 views
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About Author

Émile Zola

Emile Zola was a French journalist and novelist known for his series of 20 novels known collectively as Les Rougon-Macquart (1871-93). Zola's style was called literary naturalism; his novels were attacked and even banned for their frankness and sordid detail, and caused quite a bit of controversy in their day. The same traits made him a best-selling author and a star of French literature in his day. In 1898 he then further incurred the wrath of French officials when he published the open letter "J'Accuse," in defense of Alfred Dreyfus, an Army officer who had been convicted of treason. Zola was sentenced to prison for libel, fled to England, and was granted amnesty a few months later. He died in Paris from carbon monoxide poisoning -- the victim of a stopped-up chimney -- a few months before Dreyfus was officially exonerated.

First sentence

Architectural history is mostly a tale of men and buildings, not places...

Description

"Paris, with its majestic buildings, elegant boulevards, and colourful neighbourhoods, is often hailed as the most beautiful city in the world. In this lavishly illustrated book, one of the city's leading historians links the beauty of Paris to its harmonious architecture, the product of a powerful tradition of classical design running from the Renaissance to the twentieth century. Anthony Sutcliffe traces the main features of the development of Parisian building and architecture since Roman times, explaining the interaction of continuity and innovation and relating it to power, social structure, the property market, fashion, and the creativity of its architects. Three hundred illustrations, most in colour, complement the text, expressing the full character of Paris architecture." "Sutcliffe describes in fascinating detail how Paris merged medieval tradition with a Renaissance architecture imported from Italy - first by order of the Crown, then by the aristocracy, the Church, and the middle classes. Under Louis XIV this style became clearly French. After 1789 revolutions and industrialization threatened to undermine Parisian classicism, but it was reinforced by Haussmann in mid-century as part of the most impressive urban development project of all time. Because of Haussmann, says Sutcliffe, public and private buildings conformed to a more rigid design convention than any that Paris had previously known, a classical tradition that remained entrenched until the 1950s, when modernism made its impact in a high-rise revolution during the de Gaulle era. However, explains Sutcliffe, by 1970 this modernist architecture was rejected by the Paris public, and in the last decade the city has seen the emergence of a restrained neo-modern architecture that blends sensitively with the Parisian tradition."--BOOK JACKET.

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