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Muses

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118
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~1h 58min
READING TIME
English
LANGUAGE
Stanford University Press 3 views
ISBN
0804727805, 0804727813
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About Author

Jean-Luc Nancy

Jean-Luc Nancy ( nahn-SEE; French: [ʒɑ̃lyk nɑ̃si]; 26 July 1940 – 23 August 2021) was a French philosopher. Nancy's first book, published in 1973, was Le titre de la lettre (The Title of the Letter, 1992), a reading of the work of French psychoanalyst Jacques Lacan, written in collaboration with Philippe Lacoue-Labarthe. Nancy is the author of works on many thinkers, including La remarque spéculative in 1973 (The Speculative Remark, 2001) on Georg Wilhelm Friedrich Hegel, Le Discours de la syncope (1976) and L'Impératif catégorique (1983) on Immanuel Kant, Ego sum (1979) on René Descartes, and Le Partage des voix (1982) on Martin Heidegger. In addition to Le titre de la lettre, Nancy collaborated with Lacoue-Labarthe on several other books and articles. Nancy is credited with helping to reopen the question of the ground of community and politics with his 1985 work La communauté désoeuvrée (The Inoperative Community), following Blanchot's The Unavowable Community (1983) and Agamben responded to both with The Coming Community (1990).

Description

This book, by one of the most challenging contemporary thinkers, begins with an essay that introduces the principal concern sustained in the four succeeding ones: Why are there several arts and not just one? This question focuses on the point of maximal tension between the philosophical tradition and contemporary thinking about the arts: the relation between the plurality of the human senses--to which the plurality of the arts has most frequently been referred--and sense or meaning in general. Throughout the five essays, Nancy's argument hinges on the culminating formulation of this relation in Hegel's Aesthetics and The Phenomenology of Spirit--art as the sensible presentation of the Idea. Demonstrating once again his renowned ability as a reader of Hegel, Nancy scrupulously and generously restores Hegel's historical argument concerning art as a thing of the past, as that which is negated by the dialectic of Spirit in the passage from aesthetic religion to revealed religion to philosophy. --Publisher description.

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