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Mimesis and Theory

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343
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~5h 43min
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English
LANGUAGE
1
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Stanford University Press 1 views
ISBN
0804755809, 9780804755801
Editions
Paperback
Hardcover
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About Author

René Girard

René Noël Théophile Girard (/ʒiˈrɑrd/; French: [ʒiʁaʁ]; December 25, 1923 – November 4, 2015) was a French historian, literary critic, and philosopher of social science whose work belongs to the tradition of anthropological philosophy. Girard was the author of nearly thirty books (see below), with his writings spanning many academic domains. Although the reception of his work is different in each of these areas, there is a growing body of secondary literature on his work and his influence on disciplines such as literary criticism, critical theory, anthropology, theology, psychology, mythology, sociology, economics, cultural studies, and philosophy. -- [Wikipedia]

Description

Mimesis and Theory brings together twenty of René Girard's uncollected essays on literature and literary theory, which, along with his classic, Deceit, Desire, and the Novel, have left an indelible mark on the field of literary and cultural studies. Spanning over fifty years of critical production, this anthology offers unique insights into the origin, development, and expansion of Girard's "mimetic theory"—a groundbreaking account of human interaction and of the genesis of cultural forms. Arranged chronologically in order of publication, the essays run the gamut of Western literary culture, from Racine and Shakespeare to the existentialist writings of Simone de Beauvoir and Jean-Paul Sartre. The authors who have most influenced Girard—Stendhal, Proust, and Dostoevsky—receive extended treatment. In addition, Girard's observations on the changing landscape of literary studies are chronicled in several essays devoted to psychoanalysis, formalism, structuralism, and post-structuralism. Though at times overshadowed by his work in religious and cultural anthropology, Girard's work in the area of literary studies has been the wellspring of his thought. All of the essays contained in this volume develop the idea that the greatest authors are also the greatest students of human nature, for their artistic intuitions are generally more penetrating than the analyses of the philosophers or the social scientists. Thus Girard does not offer us a theory of literature but literature as theory.

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