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La faute de l'abbe Mouret

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373
PAGES
~6h 13min
READING TIME
French
LANGUAGE
Pocket
ISBN
2266048910, 9782266048910
Editions
Mass Market Paperback
Ebook
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About Author

Émile Zola

Emile Zola was a French journalist and novelist known for his series of 20 novels known collectively as Les Rougon-Macquart (1871-93). Zola's style was called literary naturalism; his novels were attacked and even banned for their frankness and sordid detail, and caused quite a bit of controversy in their day. The same traits made him a best-selling author and a star of French literature in his day. In 1898 he then further incurred the wrath of French officials when he published the open letter "J'Accuse," in defense of Alfred Dreyfus, an Army officer who had been convicted of treason. Zola was sentenced to prison for libel, fled to England, and was granted amnesty a few months later. He died in Paris from carbon monoxide poisoning -- the victim of a stopped-up chimney -- a few months before Dreyfus was officially exonerated.

Description

La Teuse, en entrant, posa son balai et son plumeau contre l'autel. Elle s'etait attardee a mettre en train la lessive du semestre. Elle traversa l'eglise pour sonner l'Angelus, boitant davantage dans sa hate, bousculant les bancs. La corde, pres du confessionnal, tombait du plafond, nue, rapee, terminee par un gros noeud que les mains avaient graisse; elle s'y pendit de toute sa masse, a coups reguliers, puis s'y abandonna, roulant dans ses jupes, le bonnet de travers, le sang crevant sa face large. Apres avoir ramene son bonnet d'une legere tape, essoufflee, la Teuse revint donner un coup de balai devant l'autel. La poussiere s'obstinait la, chaque jour, entre les planches mal jointes de l'estrade. Le balai fouillait les coins avec un grondement irrite. Elle enleva ensuite le tapis de la table et se facha en constatant que la grande nappe superieure, deja reprisee en vingt endroits, avait un nouveau trou d'usure au beau milieu; on apercevait la seconde nappe, pliee en deux, si emincee, si claire elle meme qu'elle laissait voir la pierre consacree, encadree dans l'autel de bois peint. Elle epousseta ces linges roussis par l'usage, promena vigoureusement le plumeau le long du gradin, contre lequel elle releva les cartons liturgiques.

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