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Fatal strategies

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236
PAGES
~3h 56min
READING TIME
English
LANGUAGE
Duizend en een 9 views
ISBN
0785931295, 9780785931294
Editions
Paperback
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About Author

Jean Baudrillard

Jean Baudrillard (UK: , US: ; French: [ʒɑ̃ bodʁijaʁ]; 27 July 1929 – 6 March 2007) was a French sociologist and philosopher with an interest in cultural studies. He is best known for his analyses of media, contemporary culture, and technological communication, as well as his formulation of concepts such as hyperreality. Baudrillard wrote about diverse subjects, including consumerism, critique of economy, social history, aesthetics, Western foreign policy, and popular culture. Among his best-known works are Forget Foucault (1977), Seduction (1978), Simulacra and Simulation (1981), America (1986), and The Gulf War Did Not Take Place (1991). His work is frequently associated with postmodernism and specifically post-structuralism.

First sentence

THINGS HAVE FOUND A WAY of avoiding a dialectics of meaning that was beginning to bore them: by proliferating indefinitely, increasing their potential, outbidding themselves in an ascension to the limit, an obscenity that henceforth becomes their immanent finality and senseless reason...

Description

Baudrillard cuts across historical and contemporary space with profound observations on American corporations, arms build-up, hostage-taking, transgression, truth, and the fate of theory itself. In this shimmering manifesto against dialectics, Jean Baudrillard constructs a condemnatory ethics of the "false problem." One foot in social science, the other in speculation about the history of ideas, this text epitomizes the assault that Baudrillard has made on the history of Western philosophy. Posing such anti-questions as "Must we put information on a diet?" Baudrillard cuts across historical and contemporary space with profound observations on American corporations, arms build-up, hostage-taking, transgression, truth, and the fate of theory itself. Not only an important map of Baudrillard's continuing examination of evil, this essay is also a profound critique of 1980s American politics at the time when the author was beginning to have his incalculable effect on a generation of this country's artists and theorists. - Courtesy of M.I.T Press

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