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Epicoene Or the Silent Woman

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248
PAGES
~4h 8min
READING TIME
English
LANGUAGE
IndyPublish.com 5 views
ISBN
1404302360, 9781404302365
Editions
Hardcover
Paperback
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About Author

Ben Jonson

Benjamin Jonson (c. 11 June 1572 – 18 August [O.S. 6 August] 1637) was an English poet and playwright. Jonson's artistry exerted a lasting influence on English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satirical plays Every Man in His Humour (1598), Volpone, or The Fox (c. 1606), The Alchemist (1610), and Bartholomew Fair (1614), and for his lyric and epigrammatic poetry. He is regarded as "the second most important English dramatist, after William Shakespeare, during the reign of James I." Jonson was a classically educated, well-read and cultured man of the English Renaissance with an appetite for controversy (personal and political, artistic and intellectual).

Description

Ben Jonson's play of the agreeable versus disagreeable behaviors of men and women begins by situating, at the center of the plot, a boy disguised as a woman whose name is Epicoene. A misanthrope, Morose, has hopes of marrying "her." Morose hates the noise of society and dreams of living in total silence. Epicoene, also called the Silent Woman, is compliant and meek. When she passes all of Morose's derogatory interrogation with flying colors and they are married, she suddenly begins scolding him loudly and infringing on his peaceful surroundings by bringing in her raucous friends. Morose's greedy nephew, Dauphine, promises to find a way to end this marriage as long as he receives a sumptuous allowance for his effort. After the divorce papers are finally signed, Dauphine removes Epicoene's wig to show that "she" is a male actor trained for the part. Jonson's divergence from Elizabethan comedy's usual direction from sadness to joy instead begins with high spirits and ends in loss and discouragement. This play is menacing, funny, and finds fault at almost every social level. It is all about selfishness and hypocrisy and how seemingly playful cosmetic concealment only produces corruption and deception. Please Note: This book has been reformatted to be easy to read in true text, not scanned images that can sometimes be difficult to decipher. The Microsoft eBook has a contents page linked to the chapter headings for easy navigation. The Adobe eBook has bookmarks at chapter headings and is printable up to two full copies per year. Both versions are text searchable.

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