Discover

Aesthetics

Minsik readers
0.0
0 ratings
Other platforms
0.0
0 ratings
231
PAGES
~3h 51min
READING TIME
English
LANGUAGE
Published 1867 Macmillan 13 views
ISBN
0333044762, 0333115473
Editions
Paperback
13 views
Minsik want to read: 0
Minsik reading: 0
Minsik read: 0
Open Library want to read: 0
Open Library reading: 0
Open Library read: 0

About Author

Theodor W. Adorno

Theodor W. Adorno (; German: [ˈteːodoːɐ̯ aˈdɔʁno] ; born Theodor Ludwig Wiesengrund; 11 September 1903 – 6 August 1969) was a German philosopher, cultural, and music critic. He was a leading member of the Frankfurt School of critical theory, whose work has come to be associated with thinkers such as Ernst Bloch, Walter Benjamin, Max Horkheimer, Erich Fromm, and Herbert Marcuse, for whom the works of Sigmund Freud, Karl Marx, and G. W. F. Hegel were essential to a critique of modern society. As a critic of both fascism and what he called the culture industry, his writings—such as Dialectic of Enlightenment (1947), Minima Moralia (1951), and Negative Dialectics (1966)—strongly influenced the European New Left. In an intellectual climate shaped by existentialism and logical positivism, Adorno developed a dialectical conception of history and philosophy that challenged the foundations of both, anticipating the divide that would later emerge between the analytic and continental traditions. As a classically trained musician, Adorno studied composition with Alban Berg of the Second Viennese School, influenced by his early admiration for the music of Arnold Schoenberg.

Description

This volume of lectures on aesthetics, given by Adorno in the winter semester of 1958-9, formed the foundation for his later Aesthetic Theory, widely regarded as one of his greatest works. The lectures cover a wide range of topics, from an intense analysis of the work of Georg Lukács to a sustained reflection on the theory of aesthetic experience, from an examination of works by Plato, Kant, Hegel, Schopenhauer, Kierkegaard and Benjamin, to a discussion of the latest experiments of John Cage, attesting to the virtuosity and breadth of Adorno's engagement. All the while, Adorno remains deeply connected to his surrounding context, offering us a window onto the artistic, intellectual and political confrontations that shaped life in post-war Germany. This volume will appeal to a broad range of students and scholars in the humanities and social sciences, as well as anyone interested in the development of critical theory. --

Detailed Ratings

0.0Emotional Impact
No ratings yet
0.0Intellectual Depth
No ratings yet
0.0Writing Quality
No ratings yet
0.0Rereadability
No ratings yet
0.0Pacing
No ratings yet
0.0Readability
No ratings yet
0.0Plot Complexity
No ratings yet
0.0Humor
No ratings yet