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A blue tale and other stories

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82
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~1h 22min
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English
LANGUAGE
1
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University of Chicago Press 3 views
ISBN
0226965309, 0226965317
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About Author

Marguerite Yourcenar

Marguerite Yourcenar, pseudonyme de Marguerite Cleenewerck de Crayencour, née le 8 juin 1903 à Bruxelles et morte le 17 décembre 1987 à Bar Harbor dans l'État du Maine (États-Unis), est une femme de lettres française (naturalisée américaine en 1947). Romancière, nouvelliste et autobiographe, elle est aussi poétesse, traductrice, essayiste et critique littéraire. Elle est la première femme élue membre de l'Académie française en 1980. Des romans historiques aux mémoires autobiographiques, l'œuvre de Yourcenar se caractérise d'abord par l'élaboration esthétique de sa langue, au style épuré et classique, et par le privilège donné à la narration. Inspirée à la fois par la sagesse orientale et la philosophie gréco-latine, la pensée de l'écrivaine se reconnaît notamment dans l'humanisme de la Renaissance entendu comme curiosité universelle nourrie par la lecture des livres anciens.

Description

These three stories, the last of Yourcenar's fiction to be translated into English, were written between 1927 and 1930 when the author was in her mid-twenties. "A Blue Tale" is a sensual, fantastic attempt to describe reality in tones of blue. Drawing on an ancient oral tradition, Yourcenar offers a tale of the credulity of men who are lured by riches - in this case, sapphires. "The First Evening" was originally written, though left unfinished, by Yourcenar's father, Michel de Crayencour. He exerted a strong influence on his daughter's life and on the early stages of her writing career. Yourcenar revised and completed this tale depicting a jaded French intellectual and man-of-the-world whose wedding night is disrupted by shocking news, and it was published under her name after her father's death. "The Evil Spell," like Memoirs of Hadrian, is set in the Mediterranean, a physical and spiritual place that fired Yourcenar's literary imagination. The tale reveals Yourcenar's fascination with the occult, a realm she would find herself attracted to more than once later on - most notably at a crucial turning point in The Abyss.

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