Wolfgang Iser

"Using classic literary texts, including Keats's Ode on a Grecian Urn, Spenser's The Shepheardes Calender, and T.S. Eliot's The Waste Land, Iser shows what a work of art looks like if viewed in terms of each of the theories concerned. He presents the different theories objectively, leaving it up to readers to decide which, if any, they subscribe to. In this way, he defuses students' fear of theory and demonstrates the potential of different theories for interpreting texts."--Jacket.

Translation between any two languages sets in motion a tug-of-war around those aspects of each language that are least accessible to agreed-upon equivalents, around those aspects of expression and understanding that are unique to a given culture. This struggle - between possession and dispossession, or between reinscription and obliteration - is necessarily perilous for the culture that has less power to retain the usages of its language. Since translation wields powerful forces of cultural change, it is an arena both of the global coercions of national cultures and of the local dominations of everyday others by everyday selves. Thus the ethics of translation are both the ethics of cross-cultural discourse and the unit problem of ethical discourse itself. . The fourteen essays in this volume - which consider a wide variety of cultures from ancient Egypt to contemporary Japan - address both sorts of discourse and elucidate the two-way or mutual conditioning of cultural positions as well as the illusions and exclusions created by mutuality. In short, the essays describe the conditions under which cultures that do not dominate each other may yet achieve a limited translatability of cultures.

The pioneer of "literary anthropology," Wolfgang Iser presents a wide-ranging and comprehensive exploration of this new field in an attempt to explain the human need for the "particular form of make-believe" known as literature. Ranging from the Renaissance pastoral to Coleridge to Sartre and Beckett, The Fictive and the Imaginary is a distinguished work of scholarship from one of Europe's most respected and influential critics.