William T. Vollmann

Explores the enigma surrounding Noh theater and the traditions that have made it intrinsic to Japanese culture for centuries and extracts the secrets of staged femininity and the mystery of perceived and expressed beauty.

"Half a thousand years ago, a young Indian "princess" named Pocahontas might or might not have rescued an English mercenary named John Smith from being executed at her father's command. She might or might not have been in love with him. Legend has it that thanks to Pocahontas, the colony at Jamestown was saved, and the English and the Indians became friends. Of course, they didn't. Massacres occurred on both sides until the Indians were dispossessed. And Pocahontas never married John Smith; kidnapped, brainwashed, and held hostage by the colonists, she found herself the bride of an ambitious tobacco planter who despised the culture she came from. Shipped off to England as a curiosity, she died young.". "In Argall, William T. Vollmann alternates between extravagant Elizabethan language and gritty realism in an attempt to dig beneath the legend, and the betrayals, disappointments, and atrocities behind it, in order to imagine what the lives of John Smith and Pocahontas might really have been like. His array of characters also includes Pocahontas's loving and anxious father, the despot Powhatan, and her uncle Opechancanough, who knows how to hold his rage against the English until just the right moment; Smith's patron, Lord Willoughby, and Lieutenant George Percy, fourth president of the Jamestown colony, whose tainted nobility draws him into genocide. Behind all of them stands the terrifying figure of Captain Samuel Argall, who will kidnap Pocahontas, burn Indian towns, and bring black slavery to North America."--BOOK JACKET.

Gulliver's travels / Jonathan Swift The second voyage of Sindbad the Sailor / N.J. Dawood, translator A tourist's guide to the moon / Isaac Asimov Escapist - Never / Robert Frost To the not impossible him / Edna St. Vincent Millay The very short history of Nunavut / William T. Vollmann Sur / Ursula K. Le Guin

"A collection of ghost stories linked by themes of love, death, and the erotic ... far-flung their settings, all [focusing] on the attempts of the living to avoid, control, or even seduce death"--

Butterfly Stories follows a dizzying cradle-to-grave hunt for love that takes the narrator from the comfortable confines of suburban America to the killing fields of Cambodia, where he falls in love with Vanna, a prostitute from Phnom Penh. Here, Vollmann's gritty style perfectly serves his examination of sex, violence, and corruption.

The Rifles establishes more firmly than ever before that William Vollmann is, in the words of the The Washington Post, "the most prodigiously talented and historically important American novelist under thirty-five." This work, the sixth in Vollmann's projected seven-novel cycle examining the clash of native Americans and their European colonizers, is at once a gripping tale of adventure, a contemporary love story, and a chronicle of the ongoing destruction of Inuit lifeways. It is one hundred and fifty years ago. Our continent has been mapped east, west, and south, but the white explorers who hope to discover the Northwest Passage have found only ice and death. Sir John Franklin - cheerful, determined, and dangerously rigid - sets out to complete the Passage with hundreds of men and supplies for three years. This is the third Arctic expedition he has commanded; on both of the others he has defied the warnings of the Inuit and Indians he's encountered along the way. This time he's not coming back. By 1990, Franklin and his mapmakers have conquered. In the prefabricated towns of the Canadian North, teenagers are sniffing gasoline, and the Inuit families who were forcibly relocated by the government in the 1950s are starving and have lost their sense of purpose. Reepah, a young Inuk woman in hopeless circumstances, is seduced and left pregnant by a white man who, terrified by his own self, prepares to assume Franklin's fate. Written with the same stylistic daring and gritty realism which has characterized all of his work, The Rifles weaves together these stories form the past and the present with Vollmann's own travels. Most dramatic of all is his eerie account of a midwinter solo trip to the North Magnetic Pole, which he put himself through at considerable personal risk in order to relive, through imagination, the last days of the Franklin expedition.

In this new installment in his acclaimed series of novels examining the collisions between Native Americans and European colonizers, William T. Vollmann tells the story of the Nez Perce War, with flashbacks to the Civil War. Defrauded and intimidated at every turn, the Nez Perces finally went on the warpath in 1877, subjecting the U.S. Army to its greatest defeat since Little Big Horn as they fled from northeast Oregon across Montana to the Canadian border. Vollmann?s main character is not the legendary Chief Joseph, but his pursuer, General Oliver Otis Howard, the brave, shy, tormented, devoutly Christian Civil War veteran. In this novel, we see him as commander, father, son, husband, friend, and killer.

"Henry Tyler is a failing private detective in San Francisco. When the love of his life, a Korean-American woman named Irene - who happens to be married to his brother John - commits suicide, he clings despairingly to her ghost. Struggling to turn grief and guilt into something precious, he employs his professional skills to track down the supernatural Queen of the Prostitutes, who first gives him a "false Irene" (in reality a heroin-poisoned whore), and then herself. While Henry lives his new life of nightmare beauty and degradation, John defends himself against Irene's memory by means of stoic blindness. John is an ambitious young contract lawyer, and one of his most lucrative projects is to draw up the paperwork for a mysterious establishment in Las Vegas called Feminine Circus, whose proprietor just happens to be hunting for the Queen."--BOOK JACKET.

The second volume in a timely series about climate change and energy generation draws on first-person interviews to reveal the real-world reasons behind the continuance of environmentally harmful coal mining, fracking, and natural gas production.

In 1982 William T. Vollmann, one of our most versatile talents, traveled to see the war in Afghanistan. In An Afghanistan Picture Show, his first book-length work of non-fiction, Vollmann paints a brutally honest and dryly comic portrait of a young American coming to terms with his political naivete. It is the story of a would-be giver who finds himself a perpetual Stranger, unable to comprehend the simplest things he hears and sees, and continually compelled to rely on others for help. In two narrative perspectives, Vollmann wryly confronts his own inadequacy in the face of limitless suffering and comes to the realization that one who went to aid and to understand could only hope, trust, and receive. In An Afghanistan Picture Show Vollmann describes a Cold War world of spies and lurking strangeness, a world in which his younger self asks unanswerable questions of orphans, refugees, guerrilla leaders, bureaucrats, corrupt officials, and prescient has-been politicians. He tells of Pakistan, a country as gracious in spirit as she is materially poor. And in his unnerving innocence Vollmann explores a land in which others continually invest him with almost supernatural powers simply because he is American. An ingenious narrative which inverts the very concept of the "white man's burden" and questions the idea of "truth" in non-fiction, An Afghanistan Picture Show stands as William T. Vollmann most entertaining--and autobiographical--work to date.

"After being initiated into a coven of island witches, Neva begins to fulfill her fate in a Tenderloin dive bar. Her worshippers include Richard, the introverted, alcoholic, occasionally omniscient narrator; a profane, aggressive transgender sex worker named Shantelle; the brisk but motherly barmaid Francine; and the former Frank, who has renamed herself after her idol Judy Garland. When Judy starts to love Neva too much, Judy's retired policeman boyfriend embarks on a mission of exposure and destruction."--Provided by publisher.