Wayne Johnston

"In 2008 Wayne Johnston became the second prominent Canadian writer to enlighten and entertain audiences as a speaker in the Canadian Literature Centre's Henry Kreisel Lecture Series. He spoke to an enthusiastic audience at the University of Alberta about the myths and realities surrounding his native Newfoundland. Amaster storyteller, Johnston peppered the lecture with impromptu asides, delighting his listeners with true tales and well-spun yarns."--Jacket.

Making her way to a deserted island off the coast of Newfoundland in the waning days of World War II, Sheilagh Fielding learns the identity of a man who has shadowed her for twenty years, a finding that coincides with the discovery of the fate of her twin children.

"Charlie Johnston is the famed blacksmith of Ferryland, a Catholic colony founded by Lord Baltimore in the 1620s on the Avalon Peninsula of Newfoundland. For his prowess at the forge, he is considered as necessary as a parish priest at local weddings. But he must spend the first cold hours of every workday fishing at sea with his sons, one of whom, the author's father, Arthur, vows that as an adult he will never look to the sea for his livelihood. In the heady months leading to the referendum that results in Newfoundland being "inducted" into Canada, Art leaves the island for college and an eventual career with Canadian Fisheries, studying and regulating a livelihood he and his father once pursued. He parts on mysterious terms with Charlie, who dies while he's away, and Art is plunged into a lifelong battle with the personal demons that haunted the end of their relationship. Years later, Wayne prepares to leave at the same age Art was when he said good-bye to Charlie, and old patterns threaten to repeat themselves."--BOOK JACKET.

"The Colony of Unrequited Dreams" is Newfoundland - that vast, haunting near-continent upon which the two lovers and adversaries of this novel pursue their ambitions. Joey Smallwood, sprung from almost Dickensian privation, is a scholarship boy at a private school, where his ready wit bests the formidably tart-tongued Sheilagh Fielding. Their dual fates become forever linked by an anonymous letter to a local paper critical of the school - a letter whose mysterious authorship will weigh heavily on their lives. Driven by socialist dreams and political desire, Smallwood will walk a railroad line the breadth of Newfoundland in a journey of astonishing power and beauty, to unionize the workers - and make his name. Fielding, now a popular newspaper columnist, provides - in her journalism, her diaries, and her bleakly hilarious "Condensed History of Newfoundland" - a satirical and eloquent counternarrative to Smallwood's story. As the decades pass and Smallwood's rise converges with Newfoundland's emerging autonomy, these two vexed characters must confront their own frailties and secrets - and their mutual (if doomed) love.

NATIONAL BESTSELLER NAMED A BEST BOOK OF THE YEAR BY THE CBC WINNER OF THE 2023 LEACOCK MEDAL FOR HUMOUR SHORTLISTED FOR CANADA READS 2025 For six months between 1966 and 1967, Wayne Johnston and his family lived in a wreck of a house across from his grandparents in Goulds, Newfoundland. At seven, Wayne was sickly and skinny, unable to keep food down, plagued with insomnia and a relentless cough that no doctor could diagnose, though they had already removed his tonsils, adenoids and appendix. To the neigh­bours, he was known as "Jennie's boy," a back­handed salute to his tiny, ferocious mother, who felt judged for Wayne's condition at the same time as worried he might never grow up. Unable to go to school, Wayne spent his days with his witty, religious, deeply eccentric mater­nal grandmother, Lucy. During these six months of Wayne's childhood, he and Lucy faced two life-or-death crises, and only one of them lived to tell the tale. Jennie's Boy is Wayne's tribute to a family and a community that were simultaneously fiercely protective of him and fed up with having to make allowances for him. His boyhood was full of pain, yes, but also tenderness and Newfoundland wit. By that wit, and through love — often expressed in the most unloving ways — Wayne survived.

An epic family mystery with a powerful, surprise ending, which features the return of the ever-fascinating Sheilagh Fielding, one of the most memorable characters in fiction. Ned Vatcher, only 14, ambles home from school in the winter of 1936 to find the house locked, the family car missing, and his parents gone without a trace. From that point on, his life is driven by the need to find out what happened to the Vanished Vatchers. When Ned meets Sheilagh Fielding, he believes the enigmatic Fielding to be his soulmate. The novel builds to a spectacular resolution of the mystery of all the Vanished Vatchers.

"A masterwork from one of the country's most critically acclaimed and beloved writers that is both compulsively readable and heartstopping in the brutal truth it reveals. Unfolding them in a novel that grapples with sexual abuse, male violence and madness, Wayne Johnston unveils brutal family secrets he's kept for more than 30 years. Wade Jackson, a young man from a Newfoundland outport, wants to be a writer but isn't one yet. In the university library in St. John's, where he goes every day to absorb the great books of the world, he encounters the fascinating, South African-born Rachel van Hout, and soon they are lovers. Rachel is the youngest of four van Hout daughters. Her Dutch-born father, Hans, lived in Amsterdam during WWII, and says he was in the Dutch resistance. After the war, he emigrated to South Africa, where he met his wife, Myra, had his daughters and worked as an accounting professor at the University of Cape Town. Something happened, though, that caused him to uproot his family and move them all, unhappily, to Newfoundland. Wade soon discovers that the beautiful van Hout daughters are each in their own way a wounded soul. The oldest, Gloria, is a hypersexual exhibitionist who, by the age of twenty-eight, has been married five times. Carmen is addicted to every drug her Afrikaner drug-pusher husband Fritz can lay his hands on. Bethany, aka Deathany, the most sardonic and self-deprecating of the sisters, is fighting a losing battle with anorexia. And then there is Rachel, who reads The Diary of Anne Frank obsessively, and diarizes her days in a secret language of her own invention, writing to the point of breakdown and beyond. As the truth works its way inevitably to the surface, Wade learns that nothing in the world of the van Houts is what it seems, and that Rachel's obsession with Anne Frank has deeper and more disturbing roots than he could ever have imagined. The novel is a tour-de-force that pulls the reader toward a conclusion both inevitable and impossible to foresee. Wayne takes beautiful risks here, bringing the abuser, Hans, to life largely through the verses of the ballad Hans composes to indoctrinate his little girls; grappling with the central mystery of his own and Rose's lives, Wayne has transfigured the "material," grappling with fate, free will, male violence, and madness."--