Walter Piston
Description
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Books
Harmony
The launch of a brand new series that blends the best elements of science fiction and fantasy. The world of Harmony, along with its close-knit colony planets, long ago isolated itself from the rest of the universe. But in a universe where the human-based Confederate Star System fleet finds itself hard-pressed to stand against ever-increasing attacks by the alien Marillon Empire, the Harmonic Empire cannot be left alone. For if the CSS cannot win an alliance with Harmony, the Marils will surely find a way to invade the planet and seize control of the unique and invaluable metal, which only the Harmonites can produce. Yet invasion is far from the only threat the people of Harmony face. The gulf between rich and poor, rulers and ruled continues to widen, threatening to destroy the very structure of their society—while the planet itself is becoming increasingly unstable. In this time of crisis, one young woman
Orchestration
Although titled Orchestration, this tome is more instrumentation than orchestration. Forsyth goes into considerable detail with regards to how the different instruments of the orchestra work and what they are capable of, as opposed to how they are used in an orchestral context, which is mostly implied. Copious examples are provided throughout the book from classical repertoire, though given the original publishing date, these do not include anything composed after 1914. Forsyth also includes many instruments rarely composed for, either due to rarity or to obsolescence, such as less common transpositions or antiquated instruments. This thoroughness is appreciated however, as they contribute not just to completeness, but to the overall theory of the various instrument types. Throughout the book, Forsyth speaks in an irreverent tone, especially for the period, and will often discuss at length topics for which he is passionate, especially when he dislikes something. Following the initial printing, he even begrudgingly included an additional chapter on the highland bagpipes, having received a letter from a reader who was offended by their initial exclusion.