Walter Pater

Marius is born in the second-century Roman Empire to a patrician family. In his youth he takes in the rituals, religion, and surroundings of his native land, and when his parents die, he’s sent away to a boarding school. As young Marius develops into manhood, he explores various schools of philosophy and ways of life, until he lands into the position of amanuensis to the emperor Marcus Aurelius—who of course is not just the head of the largest empire the world had yet seen, but also a respected thinker and philosopher of Stoicism. Marius dips into Stoicism himself, until a fledgling new religion catches his attention: Christianity. Marius’s search for meaning gives Pater a broad canvas on which to expound on some of the central theses he would return to often in his career: how childhood experiences are essential to the personality of the adult, and how a carefully-curated, aesthetic life—but not one of pure hedonic abandon—is one of the most satisfying ways to live. Indeed, Pater is careful to distinguish Epicureanism and its emphasis on modest sensory pleasures and limiting desire, from hedonism and the ruin a life of pure consumption can bring. Despite this focus on philosophical searching, Pater also puts the conflict Marius feels over religion at the story’s forefront. Like Pater himself, who yearned for the simpler atmosphere of religion he had experienced in youth, Marius finds himself bouncing from paganism, to philosophy, to the new religion of Christianity, in search of the comfort of the lost rituals of his youth. In the end, a satisfactory peace seems elusive. Marius the Epicurean remains an important milestone in 19th century investigations of religion and philosophy, while also being a rich example of a text brought alive with allusion and experiments in form. The story isn’t a straightforward narrative, but rather features frame narratives, epistolary fragments, orations, and dialogues. This structure looks forward to the modernism that would emerge in 20th century literature. Literary critic Harold Bloom called it “one of the more remarkable fictional experiments of the late nineteenth century.”

Scarcely two years after Walter Pater's death, Macmillan & Company published Gaston de Latour: An Unfinished Romance. The author of works critical to the formation of the Transition and Modernist periods set his last novel in the turbulent years following the Reformation. Selected chapters first appeared serially in Macmillan's Magazine and the Fortnightly Review, but the posthumous volume edited by Charles L. Shadwell, Pater's long-time friend, remains controversial. For a century readers have seen only a portion of what Pater wrote for Gaston de Latour. Shadwell withheld six manuscript chapters. . Pater's prominence and widening influence in late-nineteenth and early twentieth-century studies makes those missing chapters more intriguing than ever. ELT Press is pleased to publish this long-awaited new edition Gaston de Latour: The Revised Text. Edited from the holographs and based on definitive material incorporating all known fragments, The Revised Text includes the crucial suppressed chapters.

Fictional accounts of historical figures.

Plato’s ideas have had an enduring and important impact on philosophy, science, and all people, from the ancient kings to modern day man and to all people in between. He passionately touches on the topics of love, virtue, politics, the soul, and ethics in his dialogues. Plato and Platonism demystifies the complex roots of Hellenic philosophy by explaining the impact Plato had on the world when he opened the Academy, a university that nurtured mathematicians, scientists, and great thinkers like Aristotle.Plato was born in Athens around the year 428 BC, the son of wealthy and influential parents. When Socrates, whose ideas heavily influenced Plato, was condemned to death, Plato left Athens and traveled widely, especially to Italy and Sicily. He studied with students of Pythagoras and spent some years advising the ruling family of Syracuse. Around 387, he returned to Athens, where he founded his Academy and taught mathematics and philosophy. He remained at the Academy until his death in 347.

Walter Pater’s Studies in the History of the Renaissance was one of the most talked about books in nineteenth-century Britain, and it remains a work of unusual importance to anyone interested in art history or English literature. Pater’s luxurious and finely wrought style inspired generations of writers, and his unique blend of scholarship, philosophy, and personal bias made his view of the quintessential ‘spirit of the renaissance’ a key subject for subsequent aesthetic debate.

In an idealized memory of childhood, a young boy’s awareness of the world around him blossoms―an awareness of beauty and wonder, but also of death . . . The meeting of a mysterious stranger and a fanciful young woman results in the auspicious birth of a child with the soul of a poet . . . A submissive youth from a venerable family goes off to school and befriends a kindred spirit, but when war breaks out the two make a fateful decision that will forever change the course of their lives . . . Walter Horatio Pater (1839-1894) was an English essayist, art critic, and academic best remembered for his Studies in the History of the Renaissance (1873), a book at the forefront of the Aesthetic Movement, which considered a successful life to “burn always with this hard, gemlike flame.” Pater also wrote a series of what he termed “Imaginary Portraits:” a type of literary vignette of his own devising that masterfully blended elements of biography, prose poem, and short story. While most of the Portraits take the form of historical recreations, the three collected in this edition are more contemporary to Pater’s own time and are perhaps the most autobiographical. Previously appearing in the posthumous Miscellaneous Studies (1895), “The Child in the House” and “Emerald Uthwart” are better served thematically in a separate volume. They are reprinted here along with a fragment entitled “An English Poet,” a nearly forgotten Imaginary Portrait which appears in book form for the first time. With regard to its influence, there is strong evidence to suggest that “The Child in the House” was a major―or quite possibly even indispensable―inspiration for Proust in his writing of In Search of Lost Time.

Through his highly idiosyncratic readings of some of the finest paintings, sculptures, and poems of the French and Italian Renaissance, Walter Pater in Studies in the History of the Renaissance redefined the practice of criticism as an impressionistic, almost erotic exploration of the critic's aesthetic responses. Pater's infamous nullConclusion, null which forever linked him with the decadent movement, scandalized many with its insistence on making pleasure the sole motive of life, even as it charmed fellow aesthetes such as Oscar Wilde. This edition of Studies reproduces the text of the first edition of 1873. Matthew Beaumont's Introduction describes the cultural context that gave rise to the book, the reasons for its notoriety, Pater's philosophical outlook, and the arguments in his book. It explores Pater's work as an attempt to preserve the unique aesthetic of a work of art in the face of encroaching mass culture. The book also includes the later chapter on Giorgione as an Appendix, comprehensive notes that identify the many literary and artistic references, and a useful glossary of names. - Publisher.