Virginie Despentes

Out of print in the U.S. for far too long, writer and filmmaker Virginie Despentes’s autobiographical feminist manifesto is back―in an improved English translation―“blistering with anger, and so precisely phrased that it feels an injustice to summarize it” (Nadja Spiegelman, New York Review of Books). I write from the realms of the ugly, for the ugly, the old, the bull dykes, the frigid, the unfucked, the unfuckable, the hysterics, the freaks, all those excluded from the great meat market of female flesh. And if I’m starting here it’s because I want to be crystal clear: I’m not here to make excuses, I’m not here to bitch. I wouldn’t swap places with anyone because being Virginie Despentes seems to me a more interesting gig than anything else out there. Powerful, provocative, and personal, King Kong Theory is a candid account of how the author of Baise-Moi and Vernon Subutex came to be Virginie Despentes. Drawing from personal experience, Despentes shatters received ideas about rape and prostitution, and explodes common attitudes about sex and gender. An autobiography, a call for revolt, a manifesto for a new punk feminism, King Kong Theory is Despentes’s most beloved and reviled work, and is here made available again in a brilliant new translation by Frank Wynne.

Psychiatric institutions and class difference doom two young lovers from the start in this dark romantic comedy.

"A woman convinces her sister, who has a beautiful voice, to pretend they are the same person so she can become famous. After she suddenly commits suicide, the remaining sister continues to use, and learn about, her dead sister's identity."--

Valentine disparue. Qui la cherche vraiment? Entre satire sociale, polar contemporain et romance lesbienne, le nouveau roman de Virginie Despentes est un road-book qui promène le lecteur entre Paris et Barcelone, sur les traces de tous ceux qui ont connu Valentine, l'adolescente égarée. Les différents personnages se croisent sans forcément se recontrer, et finissent par composer, sur un ton tendre et puissant, le portrait d'une époque. - Editeur.

Vernon Subutex, ancien disquaire à la dérive, ne peut guère compter que sur Alex Bleach pour l'aider à payer ses factures. Quand celui-ci meurt d'overdose, Vernon est expulsé de son appartement parisien et doit se faire héberger à droite et à gauche, sans se douter que tout le monde le recherche afin de mettre la main sur la vidéo que lui a laissée la pop star avant de mourir. Prix Anaïs Nin 2015. As if she were a manic, female counterpart to Michel Houellebecq, Virginie Despentes's novels overflow with violence, second-wave feminism, and restlessness to the point of mania. As she declared in her memoir-cum-manifesto, King Kong Theory, "being Virginie Despentes is a more interesting business than anything else going on out there." Her first novel, Baise-moi, was turned into a film full of murderous women and rape; her last novel, Apocalypse bébé (see WLT, Mar. 2011, 60), was shortlisted for the Prix Goncourt and won the Prix Renaudot; and now she is in the middle of a trilogy.

"Although it means leaving behind the community of disciples who have followed him on his travels and assembled at his raves and gatherings, Vernon Subutex is compelled to return to Paris to visit the dentist. Once back in the city, he learns that Charles, his old friend from his days on the Paris streets, has died and left him half of a lottery win. But when Vernon returns to his disciples with news of this windfall, it does not take long before his followers start to turn on each other, and his good fortune provokes ruptures in his once harmonious community. Meanwhile, storm clouds are gathering for Aicha and Celeste: Laurent Dopalet is determined to make them pay for their attack on him, whatever it takes and whoever gets hurt. And before long, the whole of Paris will be reeling in the wake of the terrorist atrocities of 2015 and 2016, and all the characters in this kaleidoscopic portrait of a city will be forced to a reckoning with each other."--Provided by publisher.