Susan Stryker

Covering American transgender history from the mid-twentieth century to today, Transgender History takes a chronological approach to the subject of transgender history, with each chapter covering major movements, writings, and events. Chapters cover the transsexual and transvestite communities in the years following World War II; trans radicalism and social change, which spanned from 1966 with the publication of The Transsexual Phenomenon, and lasted through the early 1970s; the mid-’70s to 1990-the era of identity politics and the changes witnessed in trans circles through these years; and the gender issues witnessed through the ’90s and ’00s. Transgender History includes informative sidebars highlighting quotes from major texts and speeches in transgender history and brief biographies of key players, plus excerpts from transgender memoirs and discussion of treatments of transgenderism in popular culture.

From homicidal homos to locked-up lesbians, and almost every sexually dangerous combination in between, Queer Pulp: Perverted Passions from the Golden Age of the Paperback is the first complete expose of queer sexuality in mid-twentieth century paperbacks. Compellingly written by historian Susan Stryker, Queer Pulp gives a complete overview of the cultural, political, and economic factors involved in the boom of queer paperbacks. With chapters covering gay, lesbian, transgender, and bisexually oriented books, a lively overview of the genres, and loads of scorching paperback covers, Queer Pulp reveals the complicated and fascinating history of alternative sexual literature and book publishing. Featuring the work of well-known authors such as W. Somerset Maugham and Truman Capote to the low-brow and no-brow scribes who worked under several names, Queer Pulp is the entertaining and informative introduction to these lost, salacious literary genres.

This address book features steamy and hilarious gay and lesbian pulp covers on each tab and includes revealing reviews of the racy novels! Like the pulp novels featured inside, these softcover address books have gilded edges. For anyone fascinated with gay cultural history, or delighted by wicked, funny camp.

This address book features steamy and hilarious gay and lesbian pulp covers on each tab and includes revealing reviews of the racy novels! Like the pulp novels featured inside, these softcover address books have gilded edges. For anyone fascinated with gay cultural history, or delighted by wicked, funny camp.

A fabulous montage of word and image, Gay by the Bay is the first book ever to chronicle the lesbian, gay, bisexual, and transgender history of the San Francisco Bay Area. Vividly illustrated and engagingly written, this meticulously compiled volume captures the undisputed capital of queer culture as never before. Gay by the Bay celebrates Northern California's gay history in all its fascinating diversity, beginning with the gender-bending berdache societies of eighteenth-century Native Americans through today's Digital Queers. From the founding of Daughters of Bilitis in the 1950s to the first tentative steps of the gay liberation movement in the '60s, from the election of Harvey Milk and the emergence of thriving community in the exuberant '70s to the creation of the NAMES Project Memorial Quilt and life-and-death realities in the era of AIDS, queer history in the Bay Area encompasses some of the most compelling political and social events of our time. Nearly 300 full-color and black-and-white photographs of historical memorabilia - including correspondence, posters, buttons, matchbook covers, and other artifacts culled from the Gay and Lesbian Center of the San Francisco Public Library, the Gay and Lesbian Historical Society of Northern California, and other archives, both public and private - providing an intriguing look at the origins and evolution of contemporary queer life.

EX-G.I. becomes blonde beauty. Fifteen years ago, a slender young woman stepped off a plane from Denmark to be greeted by howling reporters and an outraged American public. The woman, Christine Jorgensen, had been born a male and after living as a shy, effeminate young man for twenty four years, had been surgigally transformed into a woman ... For Christine, the transformation signalled the end of a tortured search for sexual identity. For the press and public, however, "George-Christine" became America's No. 1 topic of conversation. Now in a daring, intimate and courageous autobiography, Christine Jorgensen sets the record straight - answering all the questions, correcting the misconceptions, and describing with remarkable candor, the reasons for and the results of her astonishing sexual change.

Over the past twenty years, transgender studies has emerged as a vibrant field of interdisciplinary scholarship. In 2006, Routledge’s The Transgender Studies Reader brought together the first definitive collection of the field. Since its publication, the field has seen an explosion of new work that has expanded the boundaries of inquiry in many directions. The Transgender Studies Reader 2 gathers these disparate strands of scholarship, and collects them into a format that makes sense for teaching and research. Complementing the first volume, rather than competing with it, The Transgender Studies Reader 2 consists of fifty articles, with a general introduction by the editors, explanatory head notes for each essay, and bibliographical suggestions for further research. Unlike the first volume, which was historically based, tracing the lineage of the field, this volume focuses on recent work and emerging trends. To keep pace with this rapidly changing area, the second reader has a companion website, with images, links to blogs, video, and other material to help supplement the book.

Transgender studies is the latest area of academic inquiry to grow out of the exciting nexus of queer theory, feminist studies, and the history of sexuality. Because transpeople challenge our most fundamental assumptions about the relationship between bodies, desire, and identity, the field is both fascinating and contentious. The Transgender Studies Reader puts between two covers fifty influential texts with new introductions by the editors that, taken together, document the evolution of transgender studies in the English-speaking world. By bringing together the voices and experience of transgender individuals, doctors, psychologists and academically-based theorists, this volume will be a foundational text for the transgender community, transgender studies, and related queer theory.

Susan Stryker is a foundational figure in trans studies. When Monsters Speak showcases the development of Stryker’s writing from the 1990s to the present. It combines canonical pieces, such as “My Words to Victor Frankenstein,” with her hard to find earlier work published in zines and newsletters. Brought together, they ground Stryker’s thought in 1990s San Francisco and its innovative queer, trans, and S/M cultures. The volume includes an introduction by editor McKenzie Wark, who highlights Stryker’s connections to developments in queer theory, media studies, and autotheory while foregrounding Stryker’s innovative writing style and scholarly methods. When Monsters Speak is an authoritative and essential collection by one of the most important and influential intellectuals of our time.

Fifteen-year-old Molly, who lives in a turbulent, single-parent household, is asked by mysterious, otherworldly visitors to protect an enchanted child from great danger.

Drawn from Lou Sullivan’s meticulously kept journals, this landmark book records the life of arguably the first publicly gay trans man to medically transition. We Both Laughed In Pleasure: The Selected Diaries of Lou Sullivan narrates the inner life of a gay trans man moving through the shifting social, political, and medical mores of the second half of the 20th century. Sullivan kept comprehensive journals from age eleven until his AIDS-related death at thirty-nine. Sensual, lascivious, challenging, quotidian and poetic, the diaries complicate and disrupt normative trans narratives. Entries from twenty-four diaries reveal Sullivan’s self-articulation and the complexity of a fascinating and courageous figure.

Kiss My Genders celebrates more than 30 international artists whose work explores and challenges traditional gender categories. The book features works from the late 1960s through to the present, and focuses on artists who draw on their own experiences to create content and forms that challenge accepted or stable definitions of gender. These include Lyle Ashton Harris, Sadie Benning, Nayland Blake, Jimmy DeSana, Chitra Ganesh, Peter Hujar, Juliana Huxtable, Zoe Leonard, Renate Lorenz and Pauline Boudry, Kent Monkman, Zanele Muholi, Catherine Opie, Christina Quarles and Del LaGrace Volcano, among many others. Working across mediums, many of these artists treat the body as a sculpture, and in doing so open up new possibilities for gender, beauty and representations of the human form. From pop culture and gender dissidence to the embrace of the "monstrous" or "freaky," from the politics of pose to transfeminism and politics on the street, each of these artists throws light on a different way of seeing.