Sulari Gentill

It's 1933, and the political landscape of Europe is darkening. Eric Campbell, the man who would be Australia's Führer, is on a fascist tour of the Continent, meeting dictators over cocktails and seeking allegiances in a common cause. Yet the Australian way of life is not undefended. Old enemies have united to undermine Campbell's ambitions. The clandestine armies of the Establishment have once again mobilized to thwart any friendship with the Third Reich. But when their man in Munich is killed, desperate measures are necessary. Now Rowland Sinclair must travel to Germany to defend Australian democracy from the relentless march of Fascism. Amidst the goose-stepping euphoria of a rising Nazi movement, Rowland encounters those who will change the course of history. In a world of spies, murderers and despotic madmen, he can trust no-one but an artist, a poet and a brazen sculptress.

Historical crime fiction which brings together art, money, crime, politics and treason in an extraordinary tale set in Australia's Great Depression of the 1930s.

In 1932, the RMS Aquitania embodies all that is gracious and refined, in a world gripped by crisis and doubt. Returning home on the luxury liner after months abroad, Rowland Sinclair and his companions dine with a suffragette, a Bishop and a retired World Prophet. The Church encounters less orthodox religion in the Aquitania's chandeliered ballroom, where men of God rub shoulders with mystics in dinner suits. The elegant atmosphere on board is charged with tension, but civility prevails--until people start to die. Then things get a bit awkward. And Rowland finds himself unwittingly in the centre of it all.

Handsome, wry, and witty despite his impeccable manners, and the dedicated black sheep of his conservative, wealthy Australian family, Rowland Sinclair prefers to leave managing the immense family fortune and politics to his elder brother, Wil, while pursuing a life as a gentleman artist. A life in company of boho housemates Clyde, a fellow painter; Milton, a plagiarising poet; and Edna, the beautiful, emancipated sculptress who is both his muse and the (unacknowledged) love of his life. Having barely escaped 1933 Germany while reluctantly pursuing an off-the-books mission in Munich, the usually stoic Rowly remains horrified and deeply troubled by the changes that have come about under the Nazi government. The country which he knew in his early twenties as the centre of modern art and culture, is now, under Hitler, oppressed and sanitised. Tortured by the SA for the degeneracy of his own paintings, he bears both physical and emotional scars. For the first time he is moved to take a stance politically, to try and sway the political thought of the time. A friend of the Left and son of the Right, Rowland doesn't really know what he is doing, or what should be done, but he is consumed with a notion that something should be done. Plus he needs to recuperate. And so Rowly and his friends make for England rather than returning to Sydney. In London, in the superlative luxury of Claridge's, they feel safe. Then Viscount Pierrepont is discovered in his club, impaled by a sword. Pierrepont is sporting a frilly negligée and makeup - so, a sex crime? Too embarrassing. And too bizarre a death for this aging gentleman, and him newly wed. His murder, and the suspicion falling on his young niece, quickly plunge the Australians into a queer world of British aristocracy, Fascist Blackshirts, illicit love, scandal, and spies ranging from London and its suburbs to Bletchley Park and Oxford, and inevitably drawing in Wil Sinclair as well as players like H.G. Wells and Winston Churchill. It's a world where gentlemen are not always what they are dressed up to be.

In early 1933, Rowland Sinclair and his companions are ensconced in the superlative luxury of the Hydro Majestic, Medlow Bath, where trouble seems distant indeed. When Harry Simpson vanishes, croquet and pre dinner cocktails are abandoned for the High Country where Rowland hunts for Simpson with a determination that is as mysterious as the disappearance itself.

Hannah Tigone, bestselling Australian crime author, is crafting a new novel that begins in the Boston Public Library: four strangers; Winifred, Cain, Marigold and Whit are sitting at the same table when a bloodcurdling scream breaks the silence. A woman has been murdered. They are all suspects, and, as it turns out, each character has their own secrets and motivations – and one of them is a murderer. While crafting this new thriller, Hannah shares each chapter with her biggest fan and aspirational novelist, Leo. But Leo seems to know a lot about violence, motive, and how exactly to kill someone. Perhaps he is not all that he seems... The Woman in the Library is an unexpectedly twisty literary adventure that examines the complicated nature of friendship – and shows that words can be the most treacherous weapons of all.

She needs to write the ending ... before she meets hers. Theo has one dream—to become a bestselling author. Determined to make her mark in the literary world, she heads to the US on a whim to stay with her brother Gus and focus on her writing. But her plans take an unexpected turn when she befriends a famous author, Dan Murdoch, at a local bar—and then he turns up dead. Suddenly, Theo finds herself as the prime suspect. As Theo grapples with the shocking turn of events, she realises that Dan may not have been the person he seemed to be, and there is something sinister going on in the world of publishing. Desperate to clear her name and uncover the truth, Theo sets out on a quest to find out who killed Dan and why. As she digs deeper, Theo uncovers a web of deceit, conspiracy, and hidden motives, with clues leading her to a shadowy organisation with far-reaching power. With her own life in danger, Theo must unravel the mystery before she becomes the next victim.

*US edition of '[Crossing the Lines]( (2017). It's an author's job to create a new world in the pages of a book. But when lines start to blur and reality begins to fade, getting lost in a story can be dangerous—especially if you can't find your way back... Madeleine d'Leon doesn't know where Edward came from. He is simply a character in her next book. But as she writes, he becomes all she can think about. His charm, his dark hair, his pen scratching out his latest literary novel... Edward McGinnity can't get Madeleine out of his mind—softly smiling, infectiously enthusiastic, and perfectly damaged. She will be the ideal heroine for his next book. But who is the author and who is the creation? And as the lines start to blur, who is affected when a killer finally takes flesh? After She Wrote Him is a piece of meta-fiction with a wildly inventive twist on the murder mystery genre that takes readers on a journey filled with passion, obsession, and the emptiness left behind when the real world starts to fall away.