Sheree Renée Thomas

One night after an evening out, Jason Dessen, forty-year-old physics professor living with his wife and son in Chicago, is kidnapped at gunpoint by a masked man, driven to an abandoned industrial site and injected with a powerful drug. As he wakes, a man Jason's never met smiles down at him and says, "Welcome back, my friend." But this life is not the one he knows. His wife is not his wife; his son was never born; and he's not an ordinary college professor, but a celebrated genius who has achieved something impossible. Is it this world or the other that's the dream? How can he possibly make it back to the family he loves? The answers lie in a journey more wondrous and horrifying than anything he could have imagined--one that will force him to confront the darkest parts of himself as he battles a terrifying, seemingly unbeatable foe. --

Assembled from the second year of the digital journal Mythic Delirium and recast in an artfully arranged anthology, this latest offering from editors Mike and Anita Allen will introduce you to harrowing deserts and vengeful waters, to quantum mythology and edible religion, to slipstream explorations of love and identity. Publisher and editor Mike Allen writers in his introduction, “If you’re on a quest for the weird, lowercase, here is a book where you can find it. And likely The Weird as well.”

The Metamorphosis, first published in 1915, is the most famous of Kafka's works, along with The Trial and The Castle. The story begins when a traveling salesman, Gregor Samsa, wakes up to find himself transformed into a giant insect. Curiously, his condition does not arouse surprise in his family, who merely despise it as an impending burden. As with all of Kafka's works, The Metamorphosis is open to a wide range of interpretations. Most obvious are themes relating to society's treatment of those who are different, the loneliness of isolation, and the absurdity of the human condition.

In this first collection of the stories and poetry of Sheree Renée Thomas, memory is the only force strong enough to counter the terrors of a scarred and forgetful world. Thomas's characters are people scraping by in slave quarters and institutional margins, people in search of freedom and transformation who come face to face with apocalyptic powers. Thrown back on their wits and their lore, they turn to unexpected sources to make sense of things: to girl-children, old women, old skills, old magic, and forgotten ties of kinship with the natural world. Rooted in the Mississippi Delta, Thomas's language is the stuff of life and the struggle to call things by their true names. It reaches through time in search of the transformation that will allow us to survive diaspora with memory and soul intact. These shotgun lullabies puncture the walls between us and our past, the people and their birthright.

OBSIDIAN'S RADIANCE features four folios celebrating writing and arts of the African diaspora. Fiction folio "Radiant Youth: Stories of Light & Darkness," edited by Sheree Renée Thomas, explores and reveals what it means to be a child and how the experiences of our youth can impact and linger, even into our adulthood, sometimes for the rest of our days, complicating what it means to be a Black child living in a world that every day seems to want to remove you from it. The special section guest edited by Nancy D. Tolson with Wesley Jacques, "Visions & Words for Youth," invites questions, doubts, and challenges to the status quo with regard to how we read Black children. The annual Furious Flower Poetry Prize folio, judged by Kei Miller and introduced by Lauren K. Alleyne, celebrates the winner, honorable mention, and finalists, whose words, Gwendolyn Brooks might say, move with "wicked grace." Also included is an Editors' Folio, with new poetry and visual art.

Mocha Memoirs Press is proud to present SLAY: Stories of the Vampire Noire — a revolutionary anthology celebrating vampires of the African Diaspora. SLAY is a groundbreaking unique collection and will be a must-have for vampire lovers all over the world. SLAY aims to be the first anthology of its kind. Few creatures in contemporary horror are as compelling as the vampire, who manages to captivate us in a simultaneous state of fear and desire. Drawing from a variety of cultural and mythological backgrounds, SLAY dares to imagine a world of horror and wonder where Black protagonists take center stage — as vampires, as hunters, as heroes. From immortal African deities to resistance fighters; matriarchal vampire broods to monster hunting fathers; coming of age stories to end of life stories, SLAY is a groundbreaking Afrocentric vampire anthology celebrating the rich cultural heritage of the African Diaspora.

Fiction. Poetry. Literary Nonfiction. Drama. African & African American Studies. Afrofuturism. "When you chose to alter the history and ideology that has and continues to oppress you, you choose the path of a creator," writes special issue guest editor Sheree Renée Thomas in her introduction to OBSIDIAN'S SPECULATING FUTURES: BLACK IMAGINATION AND THE ARTS. "Under the powerful lens of Afrofuturism, the impossible is possible. It is creative alchemy. The spirit and rhythm of a culture is preserved and transformed; the past is not only contested but sacred space."

A group of cabinet ministers query a supercomputer containing the minds of the country’s ancestors. A child robot on a dying planet uncovers signs of fragile new life. A descendent of a rain goddess inherits her grandmother’s ability to change her appearance—and perhaps the world. Created in the legacy of the seminal, award-winning anthology series Dark Matter, Africa Risen celebrates the vibrancy, diversity, and reach of African and Afro-Diasporic SFF and reaffirms that Africa is not rising—it’s already here.

A travel guide to hauntings and the haunted, to lands with their own power, and to the communities that spring from these strange realms. What you hold in your hands is a travel guide to the strange and surreal. From arcades along a boardwalk and jetties at the edges of tourist towns, to a rural village in Pakistan and hollows hidden deep within a forest in Pennsylvania, strange things can happen no matter where you are. You can become lost in a city crowded with people, haunted within your own home, and slip from one reality into another in the space of a step. With twenty-two stories by authors such as Brian Keene, Maurice Broaddus, Ai Jiang, Samit Basu, and KS Walker, editors Sheree Renée Thomas and Lesley Conner take readers on a tour of places where weird things happen. Places where ghosts are real, old gods are hungry, and towns are not as idyllic as they appear to be.

This is the follow up to the highly acclaimed 2021 anthology described as containing “some of the most exciting voices, old and new, from Africa and the diaspora, published in the 2020 year.” The first won the World Fantasy Award for best anthology and was met with widespread critical acclaim from across the world, with the science fiction trade magazine, Locus, calling it a “must read.” Oghenechovwe Donald Ekpeki, who created the first anthology now joins forces with Eugen Bacon, a 2022 World Fantasy Award finalist and Milton Davis, an award-winning Black Speculative fiction writer and editor to introduce readers to an ever more diverse set of writers associated with Africa. This anthology is more than just a collection of stories; it is a testament to the power of speculative fiction to transcend boundaries and explore new horizons. It is highly recommended for anyone looking to delve into a world where the speculative meets the vibrantly diverse tapestry of African storytelling. Timely and relevant to today’s world, the set of stories in this book will astonish, shock and amaze the reader while introducing them to a whole new world.

Taking its name from the trickster/storyteller figure in African and Caribbean folklore, Anansi: Fiction of the African Diaspora introduces original short fiction by talented writers of African descent.

The Year's Best African Speculative Fiction (2021), edited by the award-winning Oghenechovwe Donald Ekpeki, is not just a book; it's a gateway to the diverse and rich world of African speculative fiction. This anthology, a winner of the Best Anthology at the World Fantasy Awards, is a groundbreaking collection that brings together twenty-nine extraordinary stories by twenty-five talented writers from Africa and its diaspora. These stories represent some of the most exciting voices in the genre, both old and new, offering readers a journey through imaginative landscapes filled with wonder, insight, and a deep understanding of the human and beyond-human experience. The anthology is a celebration of African speculative fiction, marking a significant moment in the genre. It is the first of its kind, highlighting the breadth and depth of talent that exists within the African speculative fiction community. The collection includes tales from a range of authors, including Somto O. Ihezue, Pemi Aguda, Russell Nichols, Tamara Jerée, Tlotlo Tsamaase, and many others, each contributing their unique voice and vision. The stories navigate themes of identity, culture, and the complexities of the human spirit in ways that are both universal and deeply rooted in African experiences. Oghenechovwe Donald Ekpeki, the editor, is not only a skilled anthologist but also a celebrated author in his own right. His work has received multiple accolades, including the Nommoaward and recognition as aNebula and Hugo award finalist. In editing this anthology, Ekpeki has opened a door to a realm of stories that challenge, entertain, and provoke thought, offering a vital platform for voices that are often underrepresented in the global speculative fiction landscape. This anthology is more than just a collection of stories; it is a testament to the power of speculative fiction to transcend boundaries and explore new horizons. It is highly recommended for anyone looking to delve into a world where the speculative meets the vibrantly diverse tapestry of African storytelling. Whether you're a long-time fan of speculative fiction or new to the genre, The Year's Best African Speculative Fiction (2021) is bound to leave you wonderstruck and eager for more.

The stories collected in Nine Bar Blues weave emotion, spirit, and music, captivating readers with newfound alchemy and the murmurs of dark gods. Rooted in rhythm, threaded with magic, these tales encompass worlds that begin in river bottoms, pass through spectral gates, and end in distant uncharted worlds. These stories describe the pain that often accompanies the confines of sanctuary and the joy that is inextricably bound to the troubles of hard living. Nine Bar Blues sings a multiverse of fully realized worlds that readers will remember for ages to come and cherish from page to heart thumping, foot-stomping page.

Sleeping Under the Tree of Life evokes the realm of ancestral knowledge with a deep respect for the natural world, a love of language, and an invitation for survival, and asks: Who survives without being transformed? Beneath luminous layers of imagery and mythology, science and nature, fantasy and the recounting of history, is the grace and tenderness of a poet's heart, the unwavering gaze of an oracle's vision, and the dreamlike whimsy of a storyteller's mind. Hope, love, and hard truths spring from these pages of a writer whose imagination conjures an unforgettable journey. Readers enter these poems and stories the way some souls enter church, a quiet garden, or a stand of trees--for rest, for the blessing of silence and reverie, for beauty if not redemption.