Roger N. Lancaster

One evening, while watching the news, Roger N. Lancaster was startled by a report that a friend, a gay male school teacher, had been arrested for a sexually based crime. The resulting hysteria threatened to ruin the life of an innocent man. In this passionate and provocative book, Lancaster blends astute analysis, robust polemic, ethnography, and personal narrative to delve into the complicated relationship between sexuality and punishment in our society. Drawing on classical social science, critical legal studies, and queer theory, he tracks the rise of a modern suburban culture of fear and develops new insights into the punitive logic that has put down deep roots in everyday American life.

The Gender/Sexuality Reader is a sophisticated survey which contextualizes gender and sexuality in a matrix of varied racial formations, nationalisms, colonialisms, imperialisms and movements for social change. Contributors include: Lila Abu-Lughod, Janice Boddy, Susan Bordo, Judith Butler, Jane Collier, Jane L. Collins, Teresa de Lauretis, Janadas Devan, Micaela di Leonardo, John D'Emilio, Ann Fausto-Sterling, Susan Gal, David F. Greenberg, Matthew Gutman, Jacalyn D. Harden, Lori L. Heise, Geraldine Heng, Darlene Clark Hine, Evelyn Fox Keller, Roger Lancaster, Thomas Laqueur, Catherine A. Lutz, Emily Martin, Richard Parker, Cindy Patton, Rosalind Petchesky, Elizabeth A. Povinelli, Rayna Rapp, Michelle Rosaldo, Ellen Ross, Lousia Schein, Nancy Scheper-Hughes, Amartya Sen, Elizabeth Sheehan, Siobhan Somerville, Susan Sperling, Judith Stacey, Arlene Stein, Ann Stoler, Carole S. Vance, Sylvia Yanagisako, and Patricia Zavella.

"Rambo took the barrios by storm: Spanish videotapes of the movie were widely available, and nearly all the boys and young men had seen it, usually on the VCRs of their family's more affluent friends. . . . As one young Sandinista commented, 'Rambo is like the Nicaraguan soldier. He's a superman. And if the United States invades, we'll cut the marines down like Rambo did.' And then he mimicked Rambo's famous war howl and mimed his arc of machine gun fire. We both laughed."—from the book There is a Nicaragua that Americans have rarely seen or heard about, a nation of jarring political paradoxes and staggering social and cultural flux. In this Nicaragua, the culture of machismo still governs most relationships, insidious racism belies official declarations of ethnic harmony, sexual relationships between men differ starkly from American conceptions of homosexuality, and fascination with all things American is rampant. Roger Lancaster reveals the enduring character of Nicaraguan society as he records the experiences of three families and their community through times of war, hyperinflation, dire shortages, and political turmoil. Life is hard for the inhabitants of working class barrios like Doña Flora, who expects little from men and who has reared her four children with the help of a constant female companion; and life is hard for Miguel, undersized and vulnerable, stigmatized as a cochón—a "faggot"—until he learned to fight back against his brutalizers.

Roger N. Lancaster provides the definitive rebuttal of evolutionary just-so stories about men, women, and the nature of desire in this spirited exposé of the heterosexual fables that pervade popular culture, from prime-time sitcoms to scientific theories about the so-called gay gene. Lancaster links the recent resurgence of biological explanations for gender norms, sexual desires, and human nature in general with the current pitched battles over sexual politics. Ideas about a "hardwired" and immutable human nature are circulating at a pivotal moment in human history, he argues, one in which dramatic changes in gender roles and an unprecedented normalization of lesbian and gay relationships are challenging received notions and commonly held convictions on every front. The Trouble with Nature takes on major media sources—the New York Times, Newsweek—and widely ballyhooed scientific studies and ideas to show how journalists, scientists, and others invoke the rhetoric of science to support political positions in the absence of any real evidence. Lancaster also provides a novel and dramatic analysis of the social, historical, and political backdrop for changing discourses on "nature," including an incisive critique of the failures of queer theory to understand the social conflicts of the moment. By showing how reductivist explanations for sexual orientation lean on essentialist ideas about gender, Lancaster invites us to think more deeply and creatively about human acts and social relations.

Today’s world of PrEP, Pride parades, and gay marriage eclipses the wildest dreams of the sexual revolution. While it was formerly deviant to promote gay lifestyles, it is now ‘problematic’ to suggest that not all departures from the norm are in the homosexual’s best interest. Amidst this excess, a new wave of discontent rises among the once-keenest proponents of sexual progress: gay men. What happened in the transition from inversion to homosexuality, gayness, and queerness? Why do some gay men lament the freedoms afforded to them by sexual and social acceptance? Bold and daring, the essays in Inversion reflect on the vicious cycle of debasement, acceptance, sacrifice, and liberation that homosexuality has been stuck in for longer than it wishes to acknowledge. As gay culture fails to confront its history, it adopts hollow narratives of struggle. Some gay men fear losing their freedoms, some advocate for sexual restraint, while others, lost in the ever-expanding LGBTQIA+ ‘community,’ continue to make maximalist ideological demands of those outside. These responses mark a fracture in gay life. If there is some essence to homosexual desire, how is it being served by today’s gay culture and queer politics? Has the gay man — homosexual, queer, or inverted — rendered himself obsolete? Bringing together contributions by eleven leading thinkers, theorists, and critics who examine the consequences of pink-washing history, denial of sexual realities, and the memetic nature of desire, Inversion reclaims homosexuality’s lost depth in an era of profound discontent. Fearless in its critique and challenging in its proposals, Inversion considers the cultural and political aspects of gay life after homosexuality as it battles with queerness and the allure of a reactionary return, pharmacologically fueled sexual degeneration, and existential dread.

Explores the role of religion, and its relatioship to popular culture, in the lives of Nicaraguans.