Roberto Calasso

Collection of 100 dust- jacket summaries selected from more than 1,000 written by the author for titles published by Adelphi since 1963.

"In books lauded as brilliant, exhilarating, and profound, Roberto Calasso has revealed the unexpected intersections of ancient and modern through topics ranging from Greek and Indian mythology to what a legendary African kingdom can tell us about the French Revolution. In this first translation of his most important essays, Calasso brings his intellect and elegant prose style to bear on the essential thinkers of our time, providing a sweeping analysis of the current state of Western culture.". ""Forty-nine steps" refers to the Talmudic doctrine that there are forty-nine steps to meaning in every passage of the Torah. Employing this interpretive approach, Calasso offers a "secret history" of European literature and philosophy in the wake of Nietzsche, Marx, and Freud. Calasso analyzes how figures ranging from Gustav Flaubert, Gottfried Benn, Karl Kraus, Martin Heidegger, Walter Benjamin, Franz Kafka, Bertolt Brecht, and Theodor Adorno has contributed to, or been emblematic of, the current state of Western thought. This book's theme, writ large, is the power of fable - specifically, its persistence in art and literature despite its exclusion from orthodox philosophy."--BOOK JACKET.

Roberto Calasso narrates the birth of one of the world's great cultures: the formation of the mind of India. He doesn't explain or describe this mental world - he regenerates it through its epic cyclical stories and customs, until we no longer need to define it for ourselves because we have come to know what it is. So: Who is Ka? And who is the immense eagle asking the question, filling the sky, elephant and giant turtle dwarfed in his claws? How can he be the child of a woman? Who are the tiny folk he eats? The first impact of Ka is one of tremendous strangeness, bewilderment, disorientation. How can a Western tradition which demands to identify a beginning and an end understand one that sees no beginning and no end, but only an eternal tangle? Slowly, though, the strange becomes familiar, as new and ever more fantastic stories are spun out, gods emerge, bizarre sacrifices are performed. Rejecting our cravings to have the culture systematized and predigested for us, Calasso invites us to understand India on Indian terms, through Indian images, through India itself. As Ka unfolds, the worlds of the Devas, of Siva, Brahma and Visnu, of the wars of the Mahabharata, are splendidly revealed, until finally, with the advent of the Buddha, we are amazed at our own sense of recognition, for these stories seem to confirm, or to articulate for the first time, our own deepest perceptions about our human condition.

Taking as his focus the periods immediately before and after the French Revolution but making occasional sallies backward and forward in time - from Vedic India to the porticoes of the Palais-Royal and to the killing fields of Pol Pot - Calasso recounts, elucidates, and interprets the downfall of what Baudelaire was already calling "the Modern." This downfall came as a sequel to an earlier and opposite collapse: that of the archaic societies which were regulated by the movements of the stars and the rituals of sacrifice.

"Roberto Bazlen published nothing in his lifetime. An advisor to Italian publishing houses, a translator of Freud and Jung, a friend of Montale and Calvino, he was nothing if not a literary man, but he was deeply suspicious of the enterprising spirit of the "literary world" and kept his writings to himself. Here, translated into English for the first time, the reader will discover Bazlen's private oeuvre: an unfinished novel, The Sea Captain, which bears comparison with the fiction of Kafka and Beckett; a selection of entries from his notebooks dealing with topics as various as whether or not there is an "animal Jahweh" and the aesthetic limitations of the cinema; a trio of essays on his native city of Trieste; and a sampling of his editorial letters. Notes Without a Text is an introduction to the work of one of the unknown masters of twentieth-century European literature"--

Una colección de cuatro textos sobre libros, literatura y el mundo editorial: Cómo ordenar una biblioteca, Los años de las revistas, Nacimiento de la reseña y Cómo ordenar una librería.

Janine Canan's most recent book of poetry, Ardor: poems of life, dedicated to the spiritual leader, Amma, is vast in scope and courageous in its numerous referrals to God as the source of inspiration and creation. Her poems are spiritually delightful, naturally delectable, didactic, and very dear. Poet and psychiatrist, Janine Canan, has spent her life in an exhaustive pursuit of truth and beauty. Now, in her final stage of life, she who followed the path of a humble seeker, is finding. And what she encounters she generously shares with us through poems that offer broad panoramas of enlightenment along with moral lessons and pure moments of ecstasy. The 250-page collection is divided into eight sections: Meetings with God, Tears for the World, Indestructible Woman, Suffering Arrives, Teachers Everywhere, Singing to the Stars, and River of Life. Some poems explore the exquisite beauty of the natural world and the indivisible bond between humans and nature. Others are brief proverbs. Some express sorrow at the degradation of Mother Earth by insensitive beings. Others, her love poems, offer spiritual union as the ultimate form of ecstasy. Without doubt, Janine Canan uses poetry to share what she has experienced--the wonderful, painful, ecstatic and contemplative aspects of life. And, it is quite apparent, her current vision is acquired through God's eyes.

"The eighteenth-century Venetian painter Giambattista Tiepolo spent his life executing commissions in churches, palaces, and villas, often covering vast ceilings like those at the Würzburg Residenz in Germany and the Royal Palace in Madrid with frescoes that are among the glories of Western art. The life of an epoch swirled around him--but though his contemporaries appreciated and admired him, they failed to understand him. Few have even attempted to tackle Tiepolo's series of thirty-three bizarre and haunting etchings, the Capricci and the Scherzi, but Roberto Calasso rises to the challenge, interpreting them as chapters in a dark narrative that contains the secret of Tiepolo's art. Blooming ephebes, female Satyrs, Oriental sages, owls, snakes: we will find them all, as well as Punchinello and Death, within the pages of this book, along with Venus, Time, Moses, numerous angels, Cleopatra, and Beatrice of Burgundy--a motley company always on the go. Calasso makes clear that Tiepolo was more than a dazzling intermezzo in the history of painting. Rather, he represented a particular way of meeting the challenge of form: endowed with a fluid, seemingly effortless style, Tiepolo was the last incarnation of that peculiar Italian virtue sprezzatura, the art of not seeming artful."--From publisher description.

"An interior look at Roberto Calasso's work as a publisher and his reflections on the art of book publishing In this fascinating memoir, the author and publisher Roberto Calasso meditates on the art of book publishing. Recalling the beginnings of Adelphi in the 1960s, he touches on the Italian house's defining qualities, including the considerations involved in designing the successful Biblioteca series and the strategy for publishing a wide range of authors of high literary quality, as well as the historic critical edition of the works of Nietzsche. With his signature erudition and polemical flair, Calasso transcends Adelphi to look at the publishing industry as a whole, from the essential importance of graphics, jackets, and cover flaps to the consequences of universal digitization. And he outlines what he describes as the "most hazardous and ambitious" profile of what a publishing house can be: a book comprising many books, a form in which "all the books published by a certain publisher could be seen as links in a single chain"--a conception akin to that of other twentieth-century publishers, from Giulio Einaudi to Roger Straus, of whom the book offers brief portraits. An essential book for writers, readers, and editors, The Art of the Publisher is a tribute to the elusive yet profoundly relevant art of making books"--

"A book that begins before Adam and ends after us. In this magisterial work, figures of the Bible and its whole outline emerge in a new light: one that is often astonishing and disquieting, as indeed is the book from which they originate"--