Ricardo Piglia

"The Absent City takes the form of a futuristic detective novel. In the end, however, it is a meditation on the nature of totalitarian regimes, on the transition to democracy after the end of such regimes, and on the power of language to create and define reality. Ricardo Piglia combines his trademark avant-garde aesthetics with cultural and political insights into Argentina's history and contemporary condition in this work.". "The novel follows Junior, a reporter for a daily Buenos Aires newspaper, as he attempts to locate a secret machine that contains the mind and the memory of a woman named Elena. While Elena produces stories that reflect on actual events in Argentina, the police are seeking her destruction because of the revelations of atrocities that she - the machine - is disseminating through texts and taped recordings. The book thus portrays the race to recover the history and memory of a city and a country where history has largely been obliterated by political repression. Its narratives - all part of a detective story, all part of something more - multiply as they intersect with each other, like the streets and avenues of Buenos Aires itself."--BOOK JACKET.

"Complete translation of Nombre falso, for which Sergio Gabriel Waisman earned a Eugene M. Kayden Meritorious Achievement Award in 1995. Given the stature of Piglia's writing and its potential interest to English-language scholars and students of contemporary Argentine literature, one wishes for more extensive introductory and bibliographical material"--Handbook of Latin American Studies, v. 58.

A partir de un crimen, esta novela policíaca crece y se transform a en un relato que se abre y anuda en arqueologías y dinastías familiares.

"A giant of contemporary Latin American literature, Argentine novelist Ricardo Piglia's secret magnum opus was a compilation of 327 notebooks that he composed over nearly six decades, in which he imagined himself as his literary alter ego, Emilio Renzi. A world-weary detective, Renzi stars in many of his creator's works, much like Philip Roth's Nathan Zuckerman. But the Renzi of these diaries is something more complex--a multilayered reconstruction of the self that is teased out over intricate, illuminating pages. As Piglia/Renzi develops as a reader and writer, falls in love, and tussles with his tyrannical father, we get eye-opening perspectives on Latin America's tumultuous twentieth century. Obsessed with literary giants--from Borges and Cortázar (both of whom he knew), to Kafka and Camus--The Diaries comprise a celebration of reading as a vital, existential activity. When Piglia learned he had a fatal illness in 2011, he raced to complete his mysterious masterwork as rumors about the book intensified among his many fans. First released in Spanish as a trilogy to tremendous applause, The Diaries of Emilio Renzi cements Piglia's place in the global canon"--Amazon.com.