Rebecca Brown

The impulse to tell our worst to a bunch of strangers has been fueling American self-hood for 300 years: there's a direct line from the Puritan confession narrative to today's lurid, inescapable exhibitionism. But whose stories are we telling? This collection of mordant, poignant, and playful essays shows Rebecca Brown at the height of her imaginative and intuitive powers. A wry, incisive social and literary critique is couched in a gonzo mix of pop culture, autobiography, fiction, literary history, misremembered movie plots, and fantasy that plays with the notion of what it is to be “American.” Fantastical connections and unlikely meetings span the course of America’s cultural history in a manic remix, featuring appearances by Brian Wilson, Gertrude Stein, Nathaniel Hawthorne, the Invisible Man, the Abligensian Crusade, John Wayne, Felix Mendelssohn, JFK, Shane, and God.

Dr. Kate English has it all. Not only is she the heiress to a large fortune; she has a gorgeous husband and daughter, a high-flying career, and a beautiful home anyone would envy. But all that changes the night Kate’s mother, Lily, is found dead, brutally murdered in her own home. Heartbroken and distraught, Kate reaches out to her estranged best friend, Blaire Barrington, who rushes to her side for the funeral, where the years of distance between them are forgotten in a moment. That evening, Kate’s grief turns to horror when she receives an anonymous text: You think you’re sad now, just wait. By the time I’m finished with you, you’ll wish you had been buried today. More than ever, Kate needs her old friend’s help. Once Blaire decides to take the investigation into her own hands, it becomes clear that all is not as it seems in Baltimore high society. As infidelity, lies, and betrayals come to light, and tensions rise to a boiling point, she begins to alienate Kate’s friends and relatives with her relentless, accusatory questions, as she tries to find Lily’s killer. The murderer could be anyone—friend, neighbor, loved one. But whoever it is, it’s clear that Kate is next on their list. . .

The End of Youth is a collection of 13 linked stories, essays and rants, about carrying on after youth’s hope is gone. In "Afraid of the Dark," a child learns that there is good reason to be afraid. The adolescent narrator of "Description of a Struggle" finds that love can be brutal. "The Smokers" -examines an adult’s realization that longevity means seeing loved ones die. Written with the same spare and vivid beauty as her earlier award-winning works, The End of Youth is certain to win even wider acclaim.

"Excerpts from a Family Medical Dictionary is an intimate, exquisite, and true account of what it is to help a parent die. After her mother was diagnosed with terminal cancer, former home care worker and writer Rebecca Brown cared for her mother during the last six months of her life. This spare, unsentimental book comes out of that experience. In short chapters headed by definitions of medical terms, she confronts anemia, chemotherapy, metastasis, cremation. Brown's is a poignant and unflinching story of how one family coped with loss and learned about the longevity of love."--BOOK JACKET

For more than a decade Rebecca Brown has been one of the best-kept secrets in fiction writing. Her first four novels garnered praise among other writers, and last year her Gifts of the Body proved to a wide-readership that she was one of the finest stylists working today. Her prose is plain-spoken and effective, but carries a wallop; her newest book, What Keeps Me Here, a collection of stories, amazes us with its purity and emotional resonance. Whether she is writing about the relationship of a woman to her art, or the violence that haunts relationships, Brown moves and speaks through her characters like light through a window, or grace through a soul.

A woman volunteer who cares for people with AIDS narrates a poignant account of the clients she comes to love in her role as a home-care aide, in a bittersweet novel about life, illness, death, and remembrance. By the author of The Children's Crusade.

"In Annie Oakley's Girl, people are so much larger, their motives, dreams and mysteries so much more complex than you ever imagined. Love is so much more dangerous, grief so much more powerful, hope so much more tenuous and necessary. I read everything Rebecca Brown writes, watch for her books and hunt down her short stories. She is simply one of the best contemporary lesbian writers around, and Annie Oakley's Girl is stunning."—Dorothy Allison

"The girls on the prowl in The Terrible Girls are indeed terrible-relentless in love, ruthless in betrayal. These thematically linked stories depict a contemporary Gothic world in which body parts are traded for love, wounds never heal, and self-sacrifice is often the only way out."--PUBLISHER.

The drama begins with a Yuletide gathering in an eerie country retreat that's rumored to be haunted. There, Dickens and his friends, including acclaimed authors Elizabeth Gaskell and Wilkie Collins, take on the task of finding evidence of a supernatural presence in the house. When they reconvene at a Twelfth Night feast to review their findings, what will their stories reveal?