Peter Stamm

With the precision of a surgeon, Peter Stamm cuts to the heart of the fragile and revealing moments of everyday life. They are bankers, students, mothers, or retirees. They live in New York City or somewhere in Switzerland, they work in London or Riga, they cross paths in a Fado bar in Lisbon. They breathe the banal routine of daily life. It is to these ordinary people that Peter Stamm grants center stage in his latest collection of short stories. Henry, a cowherd turned stuntman, crisscrosses the country, dreaming of meeting a woman. Inger, the Dane, refuses her skimpy life and takes off for Italy. Regina, so lonely in her big house since her children left and her husband passed away, discovers the world anew thanks to the Australian friend of her granddaughter, who helps Regina envision her next voyage. In these stories, Stamm's clean style expresses despair without flash, through softness and small gestures, with disarming retorts full of derision and infinite tenderness. There, where life hesitates, ready to tip over--with nothing yet played out--is where these people and their stories exist. For us, they all become exceptional. Praise for Unformed Landscape: "Sensitive and unnerving. . . . An uncommonly intimate work, one that will remind the reader of his or her own lived experience with a greater intensity than many of the books that are published right here at home." --The New Republic OnlineFrom the Hardcover edition.

Dans ce recueil, Peter Stamm propose dix nouvelles - genre dans lequel il excelle. Toutes sont situées dans le Seerücken, la région de naissance de Peter Stamm, qui borde le lac de Constance au sud. D'une écriture simple et concise, Peter Stamm dresse un portrait de la vie contemporaine par petites touches teintées d'humour, d'humanité et d'honnêteté. Par des situations simples et de brefs dialogues, il parvient à transmettre des réflexions éclairantes sur le mode de vie moderne et les relations qu'il entraîne entre les individus. Contrastant avec les environnements souvent aliénants qu'il décrit, Peter Stamm s'attache la vie intérieure de personnages qui se battent pour (re)prendre le contrôle de leur existence, en finir avec la solitude, la peur, l'échec et la perte qui les assaillent - bien qu'ils sachent aussi par moments profiter de brefs instants d'apaisement de bonheur. A cet égard, les nouvelles de Peter Stamm capturent quelques pensées et événements flottants au sein d'existences en perpétuel état de tension et d'incertitude. A l'image d'instantanés photographiques, elles cadrent un moment de vie sans jamais imposer de jugement ni offrir de résolution définitivement fermée. Dans ce recueil, Peter Stamm propose dix nouvelles - genre dans lequel il excelle. Toutes sont situées dans le Seerücken, la région de naissance de Peter Stamm, qui borde le lac de Constance au sud. D'une écriture simple et concise, Peter Stamm dresse un portrait de la vie contemporaine par petites touches teintées d'humour, d'humanité et d'honnêteté. Par des situations simples et de brefs dialogues, il parvient à transmettre des réflexions éclairantes sur le mode de vie moderne et les relations qu'il entraîne entre les individus. Contrastant avec les environnements souvent aliénants qu'il décrit, Peter Stamm s'attache la vie intérieure de personnages qui se battent pour (re)prendre le contrôle de leur existence, en finir avec la solitude, la peur, l'échec et la perte qui les assaillent - bien qu'ils sachent aussi par moments profiter de brefs instants d'apaisement de bonheur. À cet égard, les nouvelles de Peter Stamm capturent quelques pensées et événements flottants au sein d'existences en perpétuel état de tension et d'incertitude. Le point de vue de l'éditeur Dans ce recueil, Peter Stamm propose dix nouvelles - genre dans lequel il excelle. Toutes sont situées dans le Seerücken, la région de naissance de Peter Stamm, qui borde le lac de Constance au sud. D'une écriture simple et concise, Peter Stamm dresse un portrait de la vie contemporaine par petites touches teintées d'humour, d'humanité et d'honnêteté. Par des situations simples et de brefs dialogues, il parvient à transmettre des réflexions éclairantes sur le mode de vie moderne et les relations qu'il entraîne entre les individus. Contrastant avec les environnements souvent aliénants qu'il décrit, Peter Stamm s'attache la vie intérieure de personnages qui se battent pour (re)prendre le contrôle de leur existence, en finir avec la solitude, la peur, l'échec et la perte qui les assaillent - bien qu'ils sachent aussi par moments profiter de brefs instants d'apaisement de bonheur. A cet égard, les nouvelles de Peter Stamm capturent quelques pensées et événements flottants au sein d'existences en perpétuel état de tension et d'incertitude. A l'image d'instantanés photographiques, elles cadrent un moment de vie sans jamais imposer de jugement ni offrir de résolution définitivement fermée.

A new novel of artful understatement about mortality, estrangement, and the absurdity of life from the acclaimed author of Unformed Landscape and In Strange GardensOn a day like any other, Andreas changes his life. When a routine doctor's visit leads to an unexpected prognosis, a great yearning takes hold of him--but who can tell if it is homesickness or wanderlust? Andreas leaves everything behind, sells his Paris apartment; cuts off all social ties; quits his teaching job; and waves goodbye to his days spent idly sitting in cafes--to look for a woman he once loved, half a lifetime ago. The monotony of days has been keeping him in check; now he hopes for a miracle and for a new beginning. Andreas' travels lead him back to the province of his youth, back to his hometown in Switzerland where he returns to familiar streets, where his brother still lives in their childhood home, and where Fabienne, a woman he was obsessed with in his youth, visits the same lake they once swam in together. Andreas, still consumed with longing for his lost love and blinded by the uncertainty of his future, is tormented by the question of what might have been if things had happened differently. Peter Stamm has been praised as a "stylistic ascetic" and his prose as "distinguished by lapidary expression, telegraphic terseness, and finely tuned sensitivity" (Bookforum). In On a Day Like This, Stamm's unobtrusive observational style allows us to journey with our antihero through his crises of banality, of living in his empty world, and the realization that life is finite--that one must live it, as long as that is possible.Praise for Unformed Landscape:"Sensitive and unnerving. . . . An uncommonly intimate work, one that will remind the reader of his or her own lived experience with a greater intensity than many of the books that are published right here at home." --The New Republic Online"If Albert Camus had lived in an age when people in remote Norwegian fishing villages had e-mail, he might have written a novel like this."--The New Yorker"Unformed Landscape has a refreshing purity, a lack of delusion, a lack of hype."--Los Angeles TimesFrom the Hardcover edition.

A follow-up to Seven Years presents an anthology of stories that employ the acclaimed Swiss author's use of direct prose, deceptively simple narratives and deep psychological insights into the existential dilemmas of contemporary life.

"In this alluring, melancholic novel--Peter Stamm at his best--a writer haunted by his double blurs the line between past and present, fiction and reality, in his attempt to outrun the unknown. Lena is a young actress in Stockholm. Christoph writes her a message. He wants to meet her. He just indicates where and when and that he wants to tell her a story. She must have wondered about such a note. They meet, go for a walk and he tells her that he wrote a book, just the one. Lena says her boyfriend is also a writer, writing his first novel. He knows, he says: 'That's why I want to tell you my story.' This story changed Christoph's life and will call into question everything that Lena has taken for granted until now. Twenty years ago, Christoph loved a woman who resembled Lena, who is in fact just the same. He knows about the life she leads, knows what still lies ahead of her. And so begins a uniquely existential game of past and present that will leave no one unharmed. In the terse and precise language that is his hallmark, Peter Stamm explores a fundamental question: Can we escape our destiny, or must we come to terms with the sweet indifference of the world?"--

Unformed Landscape begins in a small village on a fjord in the Finnmark, on the northeastern coast of Norway, where the borders between Norway, Sweden, Finland, and Russia lie covered in snow and darkness, where the real borders are between day and night, summer and winter, and between people. Here, a sensitive young woman like Kathrine finds few outlets for her desires. Half Norwegian, half Sami (an indigenous people), Kathrine works for the customs office inspecting the fishing boats arriving regularly in the harbor. She is in her late 20s, has a son from an early marriage, and has drifted into a second loveless marriage to a man whose cold and dominating conventionality forms a bold stroke through the unformed landscape of her life. After she makes a discovery about her husband that deeply wounds her, Kathrine cuts loose from her moorings and her confusion and sets off in search of herself. Her journey begins aboard a ship headed south, taking her below the Arctic Circle for the first time in her life. Kathrine makes her way to France and has the bittersweet experience of a love affair that flares and dies quickly, her starved senses rewarded by the shimmering beauty of Paris. Through a series of poignant encounters, Kathrine is led to the richer life she was meant to have and is brave enough to claim. Using simple words strung together in a melodic alphabet, Peter Stamm introduces us, through a series of intimate sketches, to the heart of an unforgettable woman. Her story speaks eloquently about solitude, the fragility of love, lost illusions, and self-discovery.From the Trade Paperback edition.

"All Days are Night is the story of Gillian, a successful and beautiful TV host, content with her marriage to Matthias, even if she feels restless at times. One night following an argument, the couple has a terrible car accident: Matthias, who is drunk, hits a deer on the wet road and dies in the crash. Gillian wakes up in the hospital completely disfigured. Only slowly, after many twists and turns, does she put her life back together, and reconnects with a love interest from the past who becomes a possible future, or so it seems"--from cover, page .

A family moves from their apartment in the city into a series of imaginary residences before finding their new home in the suburbs.

Happily married with two children and a comfortable home in a Swiss town, Thomas and Astrid enjoy a glass of wine in their garden on a night like any other. Called back to the house by their son's cries, Astrid goes inside, expecting her husband to join her in a bit. But Thomas gets up and, after a brief moment of hesitation, opens the gate and walks out. No longer bound by the ties of his everyday life--family, friends, work--Thomas begins a winding trek across the countryside, exposed as never before to the Alpine winter. At home, Astrid wonders where he's gone, when he'll come back, whether he's still alive. Following Thomas and Astrid on their separate paths, To the Back of Beyond becomes ultimately a meditation on the limits of freedom and on the craving to be wanted.

Alex is caught between two very different women. Sonia, his wife, is intelligent, beautiful, charming and ambitious and together they have established a successful architectural firm and a life of easy luxury. But in the background is Ivona, who is dull, plain and passive. The only thing she offers Alex is her love, unconditionally, which inspires in him a queasy mixture of repulsion and passion. Alex knows he must make a choice, but when Ivona becomes pregnant, life takes an unexpected turn which leaves him more puzzled than ever by the mysteries of desire. -- From publisher's website.