Peter Balakian

A History of International Human Rights and Forgotten HeroesIn this national bestseller, the critically acclaimed author Peter Balakian brings us a riveting narrative of the massacres of the Armenians in the 1890s and of the Armenian Genocide in 1915 at the hands of the Ottoman Turks. Using rarely seen archival documents and remarkable first-person accounts, Balakian presents the chilling history of how the Turkish government implemented the first modern genocide behind the cover of World War I. And in the telling, he resurrects an extraordinary lost chapter of American history.Awarded the Raphael Lemkin Prize for the best scholarly book on genocide by the Institute for Genocide Studies at John Jay College of Criminal Justice/CUNY Graduate Center.

Black Dog of Fate is set in the affluent New Jersey suburbs where Balakian - the firstborn son of his generation - grew up in a close, extended family. At the center of what was a quintessential American baby boom childhood lay the dark specter of a trauma his forebears had experienced - the Ottoman Turkish government's extermination of more than a million Armenians in 1915, the century's first genocide. In a story that climaxes to powerful personal and moral revelations, Balakian traces the complex process of discovering the facts of his people's history and the horrifying aftermath of the Turkish government's campaign to cover up one of the worst crimes ever committed against humanity. In describing his awakening to the facts of history, Balakian introduces us to a remarkable family of matriarchs and merchants, physicians, a bishop, and his aunts, two well-known figures in the world of literature. The unforgettable central figure of the story is Balakian's grandmother, a survivor and widow of the Genocide who speaks in fragments of metaphor and myth as she cooks up Armenian delicacies, plays the stock market, and keeps track of the baseball stats of her beloved Yankees. The book is infused with the intense and often comic collision between this family's ancient Near Eastern traditions and the American pop culture of the '50s and '60s. Balakian moves with ease from childhood memory, to history, to his ancestors' lives, to the story of a poet's coming of age. Written with power and grace, Black Dog of Fate unfolds like a tapestry its tale of survival against enormous odds. Through the eyes of a poet, here is the arresting story of a family's journey from its haunted past to a new life in a new world.

In Dyer's Thistle, Peter Balakian writes a severe and sensual poetry that unfolds discoveries of myth and history. He creates a landscape in which the private self is often inundated by messages of global suffering and must confront an American spiritual predicament. Inventing a language of condensation and leaps. Balakian probes a contemporary notion of the sublime as it oscillates between terror and beauty. In poems like "The Oriental Rug" and "American Dreaming," he finds the threads back to the ancient culture of Armenia, and to the tragedy of the century's first genocide, committed by the Turkish government against its Armenian population. Exile and immigration are as much a part of his music as are rock 'n roll, the Vietnam War, and the dark ironies of growing up in the suburbs of the fifties and sixties.

Bach’s cantata in B-flat minor in the cassette, we lounged under the greenhouse-sky, the UVBs hacking at the acids and oxides and then I could hear the difference between an oboe and a bassoon at the river’s edge under cover— trees breathed in our respiration; there was something on the other side of the river, something both of us were itching toward— radical bonds were broken, history became science. We were never the same. The title poem of Peter Balakian's Ozone Journal is a sequence of fifty-four short sections, each a poem in itself, recounting the speaker's memory of excavating the bones of Armenian genocide victims in the Syrian desert with a crew of television journalists in 2009. These memories spark others—the dissolution of his marriage, his life as a young single parent in Manhattan in the nineties, visits and conversations with a cousin dying of AIDS—creating a montage that has the feel of history as lived experience. Bookending this sequence are shorter lyrics that span times and locations, from Nairobi to the Native American villages of New Mexico. In the dynamic, sensual language of these poems, we are reminded that the history of atrocity, trauma, and forgetting is both global and ancient; but we are reminded, too, of the beauty and richness of culture and the resilience of love.