Minsik
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Jan 1, 1948 — —· 78 yrs

MUSIC · HISTORY AND CRITICISM

Norman Lebrecht

Also known as: NORMAN LEBRECHT

20
BOOKS
3.3
AVG RATING (3)
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Guido, a Benedictine monk, motivated by a desire to improve church singing, devised a system of identifying notes by syllables (e.g. 'ut', 're', 'mi'), along with a six-note scale that was easily sight-read and was used to teach singing until 1600.

— from The Book of musical anecdotes

Most acclaimed

#2

When the Music Stops

1996

0.0 (0)
#1

Discord

0.0 (0)

Noise is a widely recognized problem and health concern in the modern world. Given the importance of managing noise levels and developing suitable "soundscapes" in contexts such as industry, schools, or public spaces, this is an area of active research for acousticians. But noise, in the sense of dissonance, can also be used positively; composers have employed it from Baroque music to Rock feedback; medicine harnesses it to shatter kidney stones and treat cancer; and even the military usesit in (real and rumoured) weapons. Mike Goldsmith looks back at the long history of the battle between people and noise - a battle that has changed our lives and moulded our societies. He investigates how increasing noise levels relate to human progress, from the clatter of wheels on cobbles to the sound of heavy machinery; he explains how our scientific understanding of sound and hearing has developed; and he looks at noise in nature, including the remarkable ways in which some animals, suchas shrimps, use noise as a weapon or to catch prey. He concludes by turning to the future, discussing the noise sources which are likely to dominate it and the ways in which new science and new ideas may change the way our future will sound.

#3

The Life and Death of Classical Music

2007

4.0 (1)

In this compulsively readable, fascinating, and provocative guide to classical music, Norman Lebrecht, one of the world's most widely read cultural commentators tells the story of the rise of the classical recording industry from Caruso's first notes to the heyday of Bernstein, Glenn Gould, Callas, and von Karajan. Lebrecht compellingly demonstrates that classical recording has reached its end point--but this is not simply an expos? of decline and fall. It is, for the first time, the full story of a minor art form, analyzing the cultural revolution wrought by Schnabel, Toscanini, Callas, Rattle, the Three Tenors, and Charlotte Church. It is the story of how stars were made and broken by the record business; how a war criminal conspired with a concentration-camp victim to create a record empire; and how advancing technology, boardroom wars, public credulity and unscrupulous exploitation shaped the musical backdrop to our modern lives. The book ends with a suitable shrine to classical recording: the author's critical selection of the 100 most important recordings--and the 20 most appalling.Filled with memorable incidents and unforgettable personalities--from Goddard Lieberson, legendary head of CBS Masterworks who signed his letters as God; to Georg Solti, who turned the Chicago Symphony into " the loudest symphony on earth"--this is at once the captivating story of the life and death of classical recording and an opinioned, insider's guide to appreciating the genre, now and for years to come.From the Trade Paperback edition.

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