Neil Campbell

Crockett’s ‘breakthrough’ and most famous novel, first published in 1894, this is part of a loose trilogy of smugglers and gypsies stories featuring the Herons, the Maxwells and the Faas. Stevensonesque in style, it is unique in its descriptions of Galloway’s coast and hills and still thrills a modern audience. ‘'The Raiders ' vibrates with sufficient dramatic action for a dozen ordinary novels. We are swept breathlessly on from one exciting situation to another; while throughout the story runs a vein of heedlessness and reckless daring that intensifies the boldness of the effect. Mr Crockett is himself a raider; far into the heart of the country of romance he penetrates, daring much, and proving his right and his might on its highways. He has written a story of really absorbing interest.’ Crockett’s best known novel immerses the reader in a world of gypsies, smugglers and free traders. Set in early 18th Century Galloway, the young ‘bonnet laird’ Patrick Heron is an ‘ordinary’ hero who is driven to extraordinary acts very much in the Stevensonian tradition of adventure romance. Crockett uses history and adds the alchemy of the romancer to take natural description, historical events and local folklore and weave them into spellbinding stories. ‘The Raiders’ is a fine example of his skill and just as gripping a story today as it was a century ago.

Surfing, punk rock, Dawson's Creek, teen movies, MTV and S. E. Hinton's The Outsiders are among the many popular cultural landmarks examined in American Youth Cultures. It considers themes such as race, class, gender, power, sexuality and authority and presents innovative and challenging analyses of texts from the post-war period. Key questions are raised about the significance of youth within American culture. Contributing to the necessary and important debate over the meanings of youth representation within American culture, the ideological nature of youth and its centrality to a complex reading of popular culture are emphasised. In particular the issues of gender, race and sexuality are considered as central to the construction of youth identity and to other significant relationships between youth and authority. The contradictions in youth representation are asserted, denying any easy definitions that might serve to compound stereotypes or sustain vested interests. The authors show how the cultural politics of youth are no longer only about being young but rather associated with both personal and public values, aspirations and ideologies that extend way beyond any simple consideration of the self. Key Features: The only available book on the subject Youth is shown to be central to contemporary American culture * Contributors bring a range of approaches to bear on representations of youth in American culture.

"When zero hours wages become the zero hours of our lives. In a post-Brexit Britain filled with low paid zero hours jobs a young man navigates the world through his writing and in doing so pens a bittersweet love song to Manchester. A perfectly pitched short novel, a little gem of a book that goes beyond what the politicians have to say and gets to the real heart of post-Brexit Britain. The undercurrents of racism. Working in the post office depots and libraries. A rant against social injustice that merges into a meditation on time. Explores the supposed regeneration of Manchester, and life under the Tories, his young protagonist staying put while the aeroplanes fly overhead."--Publisher's description.

Explores twenty-one careers in the field of biology, in terms of the nature of the work, educational or training requirements, ways to get started, advancement possibilities, salary figures, employment outlook, and sources of more information.

"A study of post-1945 contemporary Western films within the social and cultural context of western studies"--