Nawal El Saadawi

Fouada meets Farid, her lover, every Tuesday in a restaurant overlooking the Nile. But this week their usual table is deserted. She calls his home, but the shrilling of the telephone echoes in an empty room. Farid has disappeared. As she searches for him, Fouada becomes tormented by questions. She is a trained research chemist, but works in a dead-end ministry job. Convinced that she has something to give to the world, she cannot find it. What is it? Why does she search? Searching expresses the poignancy of loss and doubt with the hypnotic intensity of a remembered dream. -- Publisher description.

Kafr El Teen is a beautiful, sleepy village on the banks of the Nile. Yet at its heart it is tyrannical and corrupt. The Mayor, Sheikh Hamzawi of the mosque, and the Chief of the Village Guard are obsessed by wealth and use and abuse the women of the village, taking them as slaves, marrying them and beating them. Resistance, it seems, is futile. Zakeya, an ordinary villager, works in the fields by the Nile and watches the world, squatting in the dusty entrance to her house, quietly accepting her fate. It is only when her nieces fall prey to the Mayor that Zakeya becomes enraged by the injustice of her society and possessed by demons. Where is the loving and peaceful God in whom Zakeya believes?

Two Women in One is the story of Bahiah Shaheen, an 18-year-old medical student and daughter of a prominent Egyptian public official. She finds the male students in her class rough, coarse and alien. Her father, too, seems to belong to a race apart, and the young woman has long ceased to be surprised at not being her real self in his presence. But what, she wonders, is this real self? Of one thing she is certain: it is not the hard-working, well-behaved medical student from the comfortable middle-class background familiar to all who know her. One day, while looking at a painting in an exhibition, a stranger engages her in conversation. This proves to be the beginning of Bahiah Shaheen's road to self-discovery and the start of her realization that fulfilment in life is indeed possible. Two Women in One is, in fact, the story of countless women in the Third World, and speaks to their quest for emancipation and dignity. It is a reminder to women everywhere that hope must never yield to despair, that the future can hold brighter promise.

From her prison cell, Firdaus, sentenced to die for having killed a pimp in a Cairo street, tells of her life from village childhood to city prostitute. Society's retribution for her act of defiance - death - she welcomes as the only way she can finally be free.

Beschrijving van allerlei aspecten van het vrouw-zijn in Islamitische landen en van de man-vrouw verhouding tegen de achtergrond van het sociale, politieke religieuze leven

"Rebelling against the contraints of family and society, a young Egyptian woman decides to study medicine, becoming the only woman in a class of men. Her encounters with the other students- as well as the male and female corpses in the autopsy room- intensify her dissatisfaction with and search for identity. She realizes men are not gods as her mother had taught her, that science cannot explain everything, and that she cannot be satisfied by living a life purely of the mind. After a brief and unhappy marriage, she throws herself into her work, becoming a successful physician, but at the same time, she becomes aware of injustice and hypocrisy in society. Fulfillment and love come to her at last in a wholly unexpected way."--BOOK JACKET.

Featuring work never before translated into English, The Essential Nawal El Saadawi gathers together a wide range of Saadawi's writing. From novellas and short stories to essays on politics, culture, religion and sex; from extensive interviews to her work as a dramatist; from poetry to autobiography, this book is essential for anyone wishing to gain a sense of the breadth of Saadawi's work.

Bodour, a distinguished literary critic and university professor, carries with her a dark secret. As a young university student, she fell in love with a political activist and gave birth to an illegitimate daughter, Zeina, whom she abandoned on the streets of Cairo. Zeina grows up to become one of Egypt's most beloved entertainers, despite being deprived of a name and a home. In contrast, Bodour remains trapped in a loveless marriage, pining for her daughter. In an attempt to find solace she turns to literature, writing a fictionalised account of her life. But then the novel goes missing. Bodour is forced on a journey of self discovery, reliving and reshaping her past and her future. Will Bodour ever discover who stole the novel? Is there any hope of her being reunited with Zeina?