Mohsin Hamid

A portrait of contemporary Pakistan featuring an adulterous romance between two ultra-rich jet setters. He is a banker and she is the wife of his best friend, and she is escaping the constraints of marriage and motherhood by prowling the city as a journalist.

"From "one of his generation's most inventive and gifted writers" (The New York Times), intimate and sharply observed commentary on life, art, politics, and "the war on terror." Mohsin Hamid's brilliant, moving, and extraordinarily clever novels have not only made him an international bestseller, they have earned him a reputation as a "master critic of the modern global condition" (Foreign Policy). His stories are at once timeless and of-the-moment, and his themes are universal: love, language, ambition, power, corruption, religion, family, identity. Here he explores this terrain from a different angle in essays that deftly counterpoise the personal and the political, and are shot through with the same passion, imagination, and breathtaking shifts of perspective that gives his fiction its unmistakable electric charge. A "water lily" who has called three countries on three continents his home-Pakistan, the birthplace to which he returned as a young father; the United States, where he spent his childhood and young adulthood; and Britain, where he married and became a citizen-Hamid writes about overlapping worlds with fluidity and penetrating insight. Whether he is discussing courtship rituals or pop culture, drones or the rhythms of daily life in an extended family compound, he transports us beyond the scarifying headlines of an anxious West and a volatile East, beyond stereotype and assumption, and helps to bring a dazzling diverse global culture within emotional and intellectual reach."-- "From the bestselling author of How to Get Filthy Rich in Rising Asia, an intimate and sharply observed commentary-in-essays on life, art, politics, and "the war on terror.""--

Dans un pays imaginaire du continent indien, un jeune homme, issu d'un milieu modeste d'agriculteurs, se rend à la ville. Il poursuit des études, trouve l'amour, s'intéresse à la politique, fait fortune dans le conditionnement de bouteilles d'eau avant que la chance ne tourne pour lui.

This volume focuses on Qureshi's use of miniature painting as a site for social commentary. The new commission draws upon the curve as a formal motif in the miniature tradition, responding to the dramatic architecture of the gallery space. The sequence of works begins with gentle scenes of nature, which are gradually transformed through the addition of darker elements. Hung at varying heights along the space, these delicate paintings subtly imply the uncertainty of what lies around the bend. The volume includes Mohsin Hamid's reflections on an encounter with the artist, as well as an essay by Eleanor Nairne, installation views and illustrations of recent work. This is the third title in a publication series by Barbican Art Gallery and Ridinghouse that focuses on the Curve exhibition programme. Exhibition: Barbican Centre, The Curve, London, UK (18.02-10.07.2016).

"In a country teetering on the brink of civil war, two young people meet-- sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair, and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors-- doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through. [This book] follows the couple as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are."--From regular print book.

The novel takes place during the course of a single evening in an outdoor Lahore cafe.