Miriam Cooke

"Experiences of three generations of Palestinian women whose lives are torn apart by war, rape, and dispossession, and poverty."--Jacket.

"This book challenges the assumption that men write of war, women of the hearth. The Lebanese war has seen the publication of many more works of fiction by women than by men. Miriam Cooke has termed these women the Beirut Decentrists, as they are decentered or excluded from both literary canon and social discourse.". "Although they may not share religious or political affiliation, they do share a perspective which holds them together. Cooke traces the transformation in consciousness that has taken place among women who observed and recorded the progress towards chaos in Lebanon.". "During the so-called "two-year" war of 1975-76, little comment was made about those (usually men in search of economic security) who left the saturnalia of violence, but with time attitudes changed. Women became aware that they had remained out of a sense of responsibility for others and that they had survived. Consciousness of survival was catalytic: the Beirut Decentrists began to describe a society that had gone beyond the masculinization normal in most wars and achieved an almost unprecedented femininization. Emigration, the expected behavior for men before 1975, was rejected. Staying, the expected behavior for women before 1975, became the sine qua non for Lebanese citizenship.". "The writings of the Beirut Decentrists offer hope of an escape from the anarchy. If men and women could espouse the Lebanese women's sense of responsibility, the energy that had fueled the unrelenting savagery could be turned to reconstruction. But that was before the invasion of 1982."--BOOK JACKET.

"In the 1970s, one of the most torrid and forbidding regions in the world burst on to the international stage. The discovery and subsequent exploitation of oil allowed tribal rulers of the U.A.E, Qatar, Bahrain, and Kuwait to dream big. How could fishermen, pearl divers and pastoral nomads catch up with the rest of the modernized world? Even today, society is skeptical about the clash between the modern and the archaic in the Gulf. But could tribal and modern be intertwined rather than mutually exclusive? Exploring everything from fantasy architecture to neo-tribal sports and from Emirati dress codes to neo-Bedouin poetry contests, Tribal Modern explodes the idea that the tribal is primitive and argues instead that it is an elite, exclusive, racist, and modern instrument for branding new nations and shaping Gulf citizenship and identity-an image used for projecting prestige at home and power abroad"-- "Tribal Modern analyzes what is most distinctive about Arab Gulf culture over the past 15 years and how this culture shapes distinctive national identities. It highlights the tribal as the decisive element in modern Arab Gulf culture and identity. The question incredulous outsiders ask is: how could fishermen, pearl divers and pastoral nomads catch up with the rest of the modernized world? Observers remain skeptical about the apparent clash between the modern and the backward tribal. But in these newly rich desert societies different meanings attach to the tribal generally coded non-modern. Tribes here are not primitive; they are the instruments and symbols of identity for hypermodern Gulf societies. Nationals make claims based on a newly imagined tribal identity that entitles them alone to the rights and privileges of modern citizenship. Tribal Modern explores the interweaving of the tribal and the modern into a national brand. Structural, performative and cognitive, the brand is being built into heritage and fantasy architecture; it is performed in neo-tribal sports, dress codes and language, especially neo-Bedouin poetry contests. The tribal signals a new aristocratic identity in the anonymity of 21st century globalization. The tribal in the Arab Gulf states is a fundamental and constitutive part of the modern. The tribal modern shapes a national brand to project political power abroad and prestige at home. Most studies of these new, mega-rich countries come from the social sciences. Tribal Modern looks at cultural indices of local self-assertion. It provides a cultural analysis of Gulf Arab social formation that examines the intersection of race, class and gender"--

Crucial to understanding Islam is a recognition of the role of Muslim networks. The earliest networks were Mediterranean trade routes that quickly expanded into transregional paths for pilgrimage, scholarship, and conversion, each network complementing and reinforcing the others. This volume selects major moments and key players from the seventh century to the twenty-first that have defined Muslim networks as the building blocks for Islamic identity and social cohesion. Although neglected in scholarship, Muslim networks have been invoked in the media to portray post-9/11 terrorist groups. Here, thirteen essays provide a long view of Muslim networks, correcting both scholarly omission and political sloganeering. New faces and forces appear, raising questions never before asked. What does the fourteenth-century North African traveler Ibn Battuta have in common with the American hip hopper Mos Def? What values and practices link Muslim women meeting in Cairo, Amsterdam, and Atlanta? How has technology raised expectations about new transnational pathways that will reshape the perception of faith, politics, and gender in Islamic civilization? This book invokes the past not only to understand the present but also to reimagine the future through the prism of Muslim networks, at once the shadow and the lifeline for the umma, or global Muslim community.

"The Mediterranean is the meeting point of three continents - Asia, Africa, and Europe - as well as three major monotheistic religions - Islam, Judaism, and Christianity. Focusing on global networks and cultural exchanges, Mediterranean Passages collects writings from across 3,000 years to provide a pan-Mediterranean perspective of the cultural, political, and economic relations that crisscross the region, linking people and places from antiquity to the present." "From Homer's hymn to Apollo to the writing of French-Algerian philosopher Jacques Derrida, from the contemporary accounts of North African Berber conqueror Tariq ibn al-Yazid to the journalism of American I.F. Stone, this chronologically organized anthology juxtaposes the voices and experiences of travelers, exiles, and colonizers who have lived in or visited the Mediterranean region since before 1200 B.C.E. Literary and historical texts and a gallery of maps, architecture, photographs, and paintings provide glimpses of travel and migration, trade routes, military conquest, and cultural exchange. Together, these selections highlight the networks of connections, intersections, and interruptions that animate a vital and contested geographical space."--Jacket.

This collection of more than 50 essays, poems, folktales, short stories, memoirs, film scripts, lectures and speeches by modern women challenges the widely accepted view of Middle Eastern women as submissive non-thinkers to whom feminism is a foreign concept.

"On March 17, 2011, many Syrians rose up against the authoritarian Asad regime that had ruled them with an iron fist for forty years. Initial successes were quickly quashed, and the revolution seemed to devolve into a civil war pitting the government against its citizens and extremist mercenaries. As of late 2015, almost 300,000 Syrians have been killed and over half of a total population of 23 million forced out of their homes. Nine million are internally displaced and over four million are wandering the world, many on foot or in leaky boats. Countless numbers have been disappeared. These shocking statistics and the unstoppable violence notwithstanding, the revolution goes on. The story of the attempted crushing of the revolution is known. Less well covered has been the role of artists and intellectuals in representing to the world and to their people the resilience of revolutionary resistance and defiance. How is it possible that artists, filmmakers and writers have not been cowed into numbed silence but are becoming more and more creative? How can we make sense of their insistence that despite the apocalypse engulfing the country their revolution is ongoing and that their works participate in its persistence? With smartphones, pens, voices and brushes, these artists registered their determination to keep the idea of the revolution alive. Dancing in Damascus traces the first four years of the Syrian revolution and the activists' creative responses to physical and emotional violence." -- Publisher's description

In 1928, a young Lebanese woman, Nazira Zeineddine al-Halabi, wrote a book called 'Unveiling and Veiling', an indictment of patriarchal oppression in which she boldly stated that the veil was un-Islamic, directly challenging the teachings of wiser" male scholars. Considered by many an attack on Islam, it rocked the Muslim world and was banned by many clerics, although it quickly went into a second edition and was translated into several languages. In this latest addition to Makers of the Muslim World series, Miriam Cooke offers an intimate portrait of the life and work of this pioneering champion of Islamic feminism.