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Melanie Nolan

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Reefton, New Zealand
6 books
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Books 2000 Breadwinning. New Zealand Women and the State, Canterbury University Press, Christchurch, 2000 (ISBN 0-908812-97-3/386 pp.). 2005 Kin: A Collective Biography of a New Zealand Working-class Family, Canterbury University Press, Christchurch, 2005 (ISBN 1-877257-34-6/255 pp.). Awarded the 2006 ARANZ Wards Prize and shortlisted for the 2007 Ernest Scott Prize (see above). Edited Books 1994 Suffrage and Beyond: International Feminist Perspectives, Auckland University Press/Pluto Press, Auckland & Sydney, 1994 (ISBN 1 86940 1077/368 pp.). Co-editor Caroline Daley. USA publication of the book: New York University Press, New York, 1994. Melanie Nolan and Caroline Daley, 'International Feminist Perspectives on Suffrage: An Introduction', pp. 1-22. 2005 Revolution: The 1913 Great Strike in New Zealand, Canterbury University Press, Christchurch, 2005 (ISBN 1-877257-40-0/318 pp). Introduction: Melanie Nolan, ‘1913 in Retrospect: A Laboratory or a Battleground of Democracy?’, pp. 21-40. 2008 War and Class. The Diary of Jack McCullough, Dunmore Press, Wellington, 2008 (c400 pp.), Introduction: ‘‘The times are such as search men’s hearts’: A New Zealand industrial and international arbitrationist 1908-1921’, pp. 15-32.

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The ADB?s Story

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‘The Australian Dictionary of Biography captures the life and times and culture of this country in an absolutely distinctive and irreplaceable way. It is the indispensable record of who we are, and of the characters who have made us what we are. I could not be prouder of ANU’s continuing role as custodian of this crucial part of our national legacy.’ Professor the Hon. Gareth Evans AC QC, Chancellor, The Australian National University ‘A mature nation needs a literary pantheon of inspiring and instructive life histories, a gallery of all the possibilities of being Australian. The Australian Dictionary of Biography responds to that vital need in our culture. It is a stunning collaborative achievement and I feel so proud that we have such an activity here in Australia—to a great extent it describes and defines Australia.’ Professor Fiona Stanley AC, Australian of the Year, 2003 ‘The Australian Dictionary of Biography is our greatest collective research project in the humanities and a national triumph. We have much to learn from it. The project is continuing to change as we mature nationally, with deeper understanding about the impacts of gender, race, environment, religion, education, language, culture, politics, region and war on what we are and what we may become.’ The Hon. Dr Barry Jones AO ‘Australia is very fortunate to have a national biographical dictionary that is democratic as well as distinguished, one that represents the rich variety of Australian culture. The Australian Dictionary of Biography gathers together the stories of people from all walks of life, from the outback to the city and from the bush to the parliament. It is a monument of scholarship—and it is for everyone.’ Dr Dawn Casey PSM ‘Few things are more illuminating than taking a random stroll through a volume of the Australian Dictionary of Biography—new insights into our greatest men and women, chance encounters with people whose exploits are all too often unpardonably overlooked. I first read the ADB with my mother, Coral Lansbury, who wrote four entries. One of her mentors, Bede Nairn, was a prodigious contributor. The Australian story is a story of Australians, no better told than in the ADB.’ The Hon. Malcolm Turnbull MP ‘I find it difficult to bring to mind more than a handful of comparable enterprises in the fields of biography, history, philology or the social sciences more broadly—anywhere in the world. The status and appeal of the Australian Dictionary of Biography do not lie only in its scale and size. They reside also in the meticulous research, the erudition and scholarship, and the sweat and possibly tears involved in the editorial and publishing process. Its constituent dramatis personae are an eclectic mix of the noble and the notorious, the famous and the largely unsung. The underlying theme of the mosaic is quite clear: nothing less than the making and remaking of Australia.’ Her Excellency Ms Penelope Wensley AC, Governor of Queensland

Kin

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In this retelling of Little Red Riding Hood, Ruby deVarre, the granddaughter of the most revered clanmother in New Haven, is expected to settle down, but all Ruby wants to do is run free through the woods and be with Conrad, a handsome boy from a clan across the Waste, so when she starts mistrusting Conrad and the murders start she soon finds out Conrad's secrets run deeper than she imagined.