Discover
May 4, 1944 — —· 82 yrs

UNITED STATES AUTHOR · HISTORY · COMMUNISM

Martin Jay

Also known as: Martin E. Jay

16
BOOKS
4.0
AVG RATING (2)
0
READERS

Jay Bennett (December 24, 1912 – June 27, 2009) was an American author and two-time winner of the Edgar Award from the Mystery Writers of America. Bennett won the Edgar for Best Juvenile novel in 1974 and 1975, for The Long Black Coat (Delacorte Press) and The Dangling Witness (Delacorte Press), respectively. He was the first author to win an Edgar in consecutive years. A third book, The Skeleton Man (Franklin Watts), was nominated in 1987. Bennett is best known among English teachers and young adults for these and other juvenile mysteries, like Deathman, Do Not Follow Me (Scholastic).

New York City, United States
Wikipedia

Even a rapid glance at the language we commonly use will demonstrate the ubiquity of visual metaphors.

— from Downcast eyes, 1993

Most acclaimed

#1

Force Fields

1992

0.0 (0)
#2

The Dialectical Imagination

1977

0.0 (0)

Herbert Marcuse, Erich Fromm, Max Horkheimer, Franz Neumann, Theodor Adorno, Leo Lowenthal—the impact of the Frankfurt School on the sociological, political, and cultural thought of the twentieth century has been profound. The Dialectical Imagination is a major history of this monumental cultural and intellectual enterprise during its early years in Germany and in the United States. Martin Jay has provided a substantial new preface for this edition, in which he reflects on the continuing relevance of the work of the Frankfurt School.

#3

Adorno

0.0 (0)

Theodor Adorno was one of the giants of twentieth-century thought. This volume collects his key articles on the irrational in mass culture. Although he wrote them half a century ago Adorno's ideas are relevant to the understanding of phenomena as apparently diverse as: astrology and "New Age" cults the power of neo-fascist propaganda and the re-emergence of anti-Semitism* the psychological basis of popular culture.His superb essay, The Stars Down To Earth is an innovative and startling analysis of the astrology column in a Los Angeles newspaper. Adorno argues that the column promotes fascist dependency and social conformism in much the same way as fascist propaganda. He maintains that the same principles operate in the mainstream products of the `culture industry'. The three shorter papers illuminate different aspects of Adorno's argument: the relation of occultism to orthodox modern thought, the pervasiveness of anti-Semitism, and the 'psycho-technic' rhetoric of fascist propaganda. The collection shows Adorno at his brilliant and maddening best. Stephen Crook's introduction critically reviews Adorno's argument and offers an assessment of its contemporary relevance.

Books

Newest First