MOTION PICTURES · BIOGRAPHY
Mark A. Vieira
Also known as: Mark Vieira
Mark A. Vieira was born in Oakland, California on October 28, 1950. He is a filmmaker, photographer, and writer specializing in Hollywood history. He makes glamour portraits with George Hurrell's camera in the historic Granada Buildings, where Hurrell had his original studio. In October 2009 Mark celebrated his fortieth anniversary as a professional photographer. In October 2010 the University of Southern California’s ONE Archives Gallery and Museum presented a retrospective of his work entitled “The Glamorous Gaze.” Mark has lectured at USC, UCLA, at Lincoln Center for the Performing Arts, Universal Studios, the Hollywood Heritage Museum, the Palm Springs Film Festival, and the Academy of Motion Picture Arts and Sciences. He has appeared on camera in Photoplay Productions’ "Garbo," in Turner Classic Movies’ "Moguls and Movie Stars," Playboy’s "Sex at 24 Frames per Second," in Universal’s "Forbidden Film," and on "CBS Sunday Morning." In the 2011 BBC documentary "Shooting the Stars," he photographed Leslie Mann and interviewed Jane Russell. In 2009 Mark guest-curated the Academy of Motion Picture Arts and Sciences exhibition: “Irving Thalberg: Creating the Hollywood Studio System, 1920-1936.” In 2011 he co-curated “Harlow at 100” for the Hollywood Museum in the Historic Max Factor Building.
Most acclaimed
Cecil B. DeMille
1973
Colossal. Stupendous. Epic. These adjectives, used by movie companies to hawk their wares, became cliches long ago. When used to describe the films of one director, they are accurate. More than any filmmaker in the history of the medium, Cecil B. DeMille mastered the art of the spectacle. In the process, he became a filmland founder. One hundred years ago, he made the first feature film ever shot in Hollywood and went on to become the most commercially successful producer-director in history. DeMille told his cinematic tales with painterly, extravagant images. The parting of the Red Sea in The Ten Commandments was only one of these. There were train wrecks (The Greatest Show on Earth); orgies (Manslaughter); battles (The Buccaneer); Ancient Rome (The Sign of the Cross); Ancient Egypt (Cleopatra); and the Holy Land (The Crusades). The best of these images are showcased here, in Cecil B. DeMille: The Art of the Hollywood Epic.
Hollywood Horror
Nancy Drew and the Hardy boys find unexpected mystery and terror in Hollywood as they cope with deadly sabotage, crazed fans, and an obsessed stalker targeting television star Marla Devereaux.
Hurrell's Hollywood portraits
This book presents in depth the work of George Hurrell, the photographer who more than anyone else was responsible for inventing the Hollywood "glamour" portrait - the essential publicity tool for the major studios during the Golden Age of the movies. The book traces his immense impact on the portrayal of the leading stars year by year, from his arrival in California in 1925 until his departure in 1943. During that time he photographed all of the greatest personalities, at Metro-Goldwyn-Mayer, Warner Brothers, and Columbia as well as independently. The prints come from the Chapman Collection, one of the most extensive archives of original Hurrell photographs in the world, and they include a number of rarities and surprises. Although some photos by Hurrell are familiar and frequently reproduced, most of the images in this book will come as a revelation, since they have not been published in over half a century. The genesis of the pictures is examined in a remarkable text by Mark A. Vieira, himself a highly regarded portrait photographer, who came to know Hurrell well during the photographer's later years. Vieira explains in detail Hurrell's technical feats of lighting and retouching. And drawing on firsthand accounts, he vividly re-creates the lively interplay between the photographer and his subjects at the shooting sessions in which these portraits were taken.