Marilyn Hacker

Gathering 25 years work by one of America's most elegant and pertinent poets, this title contains work from eight books, including an excerpt from the erotic verse novel 'Love, Death and the Changing of the Seasons', and a work written in the shadow of hegemonic empire.

Multi-award winning poet Amina Said was born in Tunis and has lived in Paris since 1978. Her work, though translated into German, Turkish, Arabic, and Italian, has only seen snippets translated into English. Poet Marilyn Hacker has edited and translated a survey of Said's poems from the last ten years in a fully bilingual anthology. The first survey of Said's works to appear in the English language.

This volume contains selections of work from five books by one of America's most acclaimed and most controversial poets. Marilyn Hacker's poems have been praised for their technical virtuosity, for their forthright feminism, political acuity, and equally unabashed eroticism. This book enables new readers to discover an important poet, others to reread and retrace the poet's progress from promise to maturity.

One of our strongest poets of conscience confronts the dangerous new century with intelligence, urbanity, and elegiac humor. Marilyn Hacker's voice is unique in its intelligence, urbanity, its deployment of an elegiac humor, its weaving of literary sources into the fabric and vocabulary of ordinary life, its archaeology of memory. Desesperanto refines the themes of loss, exile, and return that have consistently informed her work. The title itself is a wordplay combining the Spanish word esperanto, signifying "hope," and the French desespoir, meaning "to lose heart." Des-esperanto, then, is a universal language of despair ―despair of the possibility of a universal language. As always in Hacker's poetry, prosodic measure is a catalyst for profound feeling and accurate thought, and she employs it with a wit and brio that at once stem from and counteract despair. Guillaume Apollinaire, June Jordan, and Joseph Roth are among this book's tutelary spirits, to whom the poet pays homage as she confronts a new, dangerous century.

In her seventh volume Marilyn Hacker confronts life and death at the end of our genocidal century, making another extraordinary contribution to the feminist and lesbian canon.

Feminist verse displays a command of poetic technique and structure as well as a richly ripening vision

Moving back and forth with the rhythm of the writer’s life, from Paris to New York, from the 1990s to the 1940s, Squares and Courtyards reminds us that, to take action, it is necessary to take notice.