THEATRICAL PRODUCERS AND DIRECTORS · CRITICISM AND INTERPRETATION
Maria Shevtsova
Also known as: MARIA SHEVTSOVA, Maria Professor Shevtsova
Most acclaimed
Robert Wilson
"Robert Wilson is an American-European director who is also a performer, installation artist, writer, designer of light and much more besides - a crossover polymath who dissolves both generic and geographical boundaries and is a precursor of globalisation in the arts. This second edition of Robert Wilson combines: - analysis of his main productions, situated in their American and European socio-cultural and political contexts - a focused detailed study of Wilson's pathbreaking Einstein on the Beach - an exploration of his 'visual book', workshop and rehearsal methods, and collaborative procedures - a study of his aesthetic principles and the elements of composition that distinguish his directorial approach - a series of practical exercises for students and practitioners highlighting Wilson's technique. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today's student"--
Dodin and the Maly Drama Theatre
This is the first ever full-length study of internationally-acclaimed theatre company, the Maly Drama Theatre of St. Petersburg, and its director, Lev Dodin. Maria Shevtsova provides an illuminating insight into Dodin's directorial processes and the company's actor training, devising and rehearsal methods, which she interweaves with detailed analysis of the Maly's main productions. Dodin and the Maly Drama Theatre: Process to Performance demonstrates how the impact of Dodin's work extends far beyond that of his native Russia, and gives the reader unparalleled access to the company's practice. Including a foreword by Simon Callow, a dedicated admirer of the Maly, Dodin and the Maly Drama Theatr provides both a valuable methodological model for actor training and a unique insight into the journeys taken from studio to stage.
The Cambridge introduction to theatre directing
"This Introduction is an exciting journey through the different styles of theatre that twentieth-century and contemporary directors have created. It discusses artistic and political values, rehearsal methods and the diverging relationships with actors and designers, treatment of dramatic material and approaches to audiences. Offering a compelling analysis of theatrical practice, Christopher Innes and Maria Shevtsova explore the different rehearsal and staging principles and methods of such earlier groundbreaking figures as Stanislavsky, Meyerhold and Brecht, revising standard perspectives on their work, as well as analysing a diverse range of innovative contemporary directors, including Ariane Mnouchkine, Lev Dodin, Peter Brook, and Peter Sellars. While tracing the different roots of directorial practices across time, and discussing their artistic, cultural and political significance, the authors provide significant examples of the major directorial approaches and reveal comprehensive patterns in the craft of directing and the influence and collaborative relationships of directors"--