Discover
Jul 22, 1881 — Sep 4, 1944· 63 yrs

UNITED KINGDOM OF GREAT BRITAIN AND IRELAND AUTHOR · CHILDREN · FICTION

Margery Williams Bianco

Also known as: Harper Williams, Margerie Williams Bianco

18
BOOKS
4.2
AVG RATING (45)
2
READERS

Margery Williams Bianco was an English-American author, primarily of popular children's books. A professional writer since the age of nineteen, she achieved lasting fame at forty-one with the 1922 publication of the classic that is her best-known work, The Velveteen Rabbit.

Greater London, United Kingdom of Great Britain and Ireland
Wikipedia

THERE was once a velveteen rabbit, and in the beginning he was really splendid.

— from The Classic Tale of the Velveteen Rabbit, 1991

Most acclaimed

#2

The velveteen rabbit

0.0 (0)

By the time the Velveteen Rabbit is dirty, worn out, and about to be burned, he has almost given up hope of ever finding the magic called Real.

#1

The Classic Tale of the Velveteen Rabbit

1991

4.2 (41)

By the time the Velveteen Rabbit is dirty, worn out, and about to be burned, he has almost given up hope of ever finding the magic called Real.

#3

Paris

1937

0.0 (0)

"Paris, with its majestic buildings, elegant boulevards, and colourful neighbourhoods, is often hailed as the most beautiful city in the world. In this lavishly illustrated book, one of the city's leading historians links the beauty of Paris to its harmonious architecture, the product of a powerful tradition of classical design running from the Renaissance to the twentieth century. Anthony Sutcliffe traces the main features of the development of Parisian building and architecture since Roman times, explaining the interaction of continuity and innovation and relating it to power, social structure, the property market, fashion, and the creativity of its architects. Three hundred illustrations, most in colour, complement the text, expressing the full character of Paris architecture." "Sutcliffe describes in fascinating detail how Paris merged medieval tradition with a Renaissance architecture imported from Italy - first by order of the Crown, then by the aristocracy, the Church, and the middle classes. Under Louis XIV this style became clearly French. After 1789 revolutions and industrialization threatened to undermine Parisian classicism, but it was reinforced by Haussmann in mid-century as part of the most impressive urban development project of all time. Because of Haussmann, says Sutcliffe, public and private buildings conformed to a more rigid design convention than any that Paris had previously known, a classical tradition that remained entrenched until the 1950s, when modernism made its impact in a high-rise revolution during the de Gaulle era. However, explains Sutcliffe, by 1970 this modernist architecture was rejected by the Paris public, and in the last decade the city has seen the emergence of a restrained neo-modern architecture that blends sensitively with the Parisian tradition."--BOOK JACKET.

Books

Newest First