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Feb 5, 1915 — Mar 26, 1994· 79 yrs

UNITED STATES AUTHOR · FICTION · LARGE TYPE

Margaret Millar

22
BOOKS
3.9
AVG RATING (11)
6
READERS

Margaret Ellis Millar (née Sturm) was an American-Canadian mystery and suspense writer. Born in Kitchener, Ontario, she was educated at the Kitchener-Waterloo Collegiate Institute and the University of Toronto. She moved to the United States after marrying Kenneth Millar (better known under the pen name Ross Macdonald). They resided for decades in the city of Santa Barbara, which was often used as a locale in her later novels under the pseudonyms of San Felice or Santa Felicia. The Millars had a daughter who died in 1970. In the early '60s, two of her novels (Beast in View and Rose's Last Summer) were adapted for the anthology TV series Alfred Hitchcock Presents and Thriller. She was a master of character, a genius of plot twists, and a superb stylist. It’s rare to find those three talents in one literary package, yet, over the course of a 55-year-long career, Maggie maintained her high standards throughout her 27 books, short stories, half a dozen screenplays, poems, radio stories, and one touching memoir. Plus, she did it while struggling to raise a child, keep a house, and deal with a husband who later became more famous than she. Perhaps you’ve heard of Ken Millar. He wrote under the pseudonym of Ross Macdonald and created the Lew Archer detective series, which paid homage to the hard-boiled detective masters Dashiell Hammet and Raymond Chandler, and he eventually joined them in that genre’s pantheon of men. Source: Wikipedia & L. A. Review of Books

Kitchener, United States
Wikipedia

The voice was quiet, smiling.

— from Beast in view

Most acclaimed

#2

Wall of eyes

1943

2.0 (1)

A blind woman totally dependent on her family becomes the intended victim of a murder plot

#1

Beast in view

4.0 (6)

Thirty-year-old Helen Clarvoe is scared and all alone. The heiress of a small fortune, she is resented by her mother and, to a lesser degree, her brother. The only person who seemingly cares for her is the family’s attorney, Paul Blackshear. A shut-in, Helen maintains her residence in an upscale hotel downtown. But passive-aggressive resentment isn’t the only thing hounding Helen Clarvoe. A string of bizarre and sometimes threatening prank phone calls has upended her spinster’s routine. Increasingly threatened, she turns to a reluctant Mr. Blackshear to get to the bottom of these strange calls. Blackshear is doubtful of their seriousness but he quickly realizes that he is in the midst of something far more sinister than he thought possible. As he unravels the mystery of the calls the identity behind them slowly emerges, predatory and treacherous.

#3

Beyond This Point Are Monsters

1970

0.0 (0)

In a tense courtroom the night of October the thirteenth is vividly recreated as a young widow listens to accounts of her husband's murder

Books

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