Karl Kroeber

"This anthology fills the need for a comprehensive, up-to-date collection of the most important contemporary writings on the English romantic poets"--Back cover.

In this highly readable and thoroughly original book, Karl Kroeber questions the assumptions about storytelling we have inherited from the exponents of modernism and postmodernism. These assumptions have led to overly formalistic and universalizing conceptions of narrative that mystify the social functions of storytelling. Even "politically correct" critics have Eurocentrically defined story as too "primitive" to be taken seriously as art. Kroeber reminds us that the fundamental value of storytelling lies in retelling, this paradoxical remaking anew that constitutes story's role as one of the essential modes of discourse. His work develops some recent anthropological and feminist criticism to delineate the participative function of audience in narrative performances. In depicting how audiences contribute to storytelling transactions, Kroeber carries us into a surprising array of examples, ranging from a Mesopotamian sculpture to Derek Walcott's Omeros; startling juxtapositions, such as Cervantes to Vermeer; and innovative readings of familiar novels and paintings. Tom Wolfe's comparison of his Bonfire of the Vanities to Vanity Fair is critically analyzed, as are the differences between Thackeray's novel and Joyce's Ulysses and Flaubert's Madame Bovary. Other discussions focus on traditional Native American stories, Henry James's The Ambassadors, Calvino's If on a winter's night a traveller, and narrative paintings of Giotto, Holman Hunt, and Roy Lichtenstein. Kroeber deploys the ideas of Ricoeur and Bakhtin to reassess dramatically the field of narrative theory, demonstrating why contemporary narratologists overrate plot and undervalue story's capacity to give meaning to the contingencies of real experience. Retelling/Rereading provides solid theoretical grounding for a new understanding of storytelling's strange role in twentieth-century art and of our need to develop a truly multicultural narrative criticism.

Presents and analyzes complete oral texts from the Native American traditions, with essays by leading scholars examining the subtle artistry of form and content that gives spoken stories and myths an enduring vitality in native communities, and explaining the meaning, purpose, and structure of the tales.

Examines the origins of English Romantic poetry.

Brings together a range of insightful and unsettling perspectives and the research to personalize our understanding of one of the famous Native Americans of the modern era - Ishi, the last Yahi. This volume illuminates Ishi the person, his relationship to anthropologist A L Kroeber and others, his Yahi world, and his legacy for the 21st century.

Naiomi Alderman described the book as follows in the Guardian Newspaper; "On 29 August 1911, a 50-year-old man, a member of the Yahi group of the Native American Yana people, walked out of the forest near Oroville, California, and was captured by the local sheriff. He was known at the time and popularised in the press as “the last wild Indian”. He called himself “Ishi” – a word in the Yahi language that means simply “man”. He was the very last of his people, and had been living in the wilderness alone, travelling to places he remembered from the time when his tribe had flourished, in the hope of finding some remnant of those he’d grown up with. When he realised they were truly all gone, when a series of forest fires meant he was close to starvation, he allowed himself to be found and taken in. Knowing that he was the last surviving Yahi, Ishi was desperate to communicate some of the culture that would be entirely lost when he was gone. He ended up living with the director of the museum of anthropology at the University of California, Alfred Kroeber. He taught Kroeber as much as he could: demonstrated the skills of flint-knapping, explained his language, told the stories of his people one last time so they could be written down and preserved. He was particularly fond of children, Kroeber recorded. Ishi died in 1916, of tuberculosis. After his death, Alfred’s wife, Theodora, wrote a remarkable book about him, Ishi in Two Worlds, which relays as much of the Yahi culture as the anthropologists were able to record, and talks about Ishi’s own accounts of his life. To read it is to touch an intricate and beautiful civilisation that is now entirely gone, a place that can only be momentarily resurrected by an imaginative act, as unreachable as an alien world.

"The myths and legends in this collection have been selected both for their excellence as stories and because they illustrate the distinctive nature of Native American storytelling. They are drawn from oral traditions of the major culture areas of aboriginial North America and include trickster tales, origin myths, and stories of domestic sexual conflict."--Jacket.